Vintage Fan Collection Is Really Cool

When I saw this photograph of Wink, the vintage fashion collector and seller, the first thing I thought was, “Wow, vintage fans really blow her skirts up!” The second thing I thought was, “What a ‘cool’ thing to collect!”

And then, nearly out of puns (“She has created her own ‘Fan Club!'”), I realized I wanted to be a bit more serious and talk to her about her collection of vintage fans.

Wink, describe your fan collection. What do you look for in a fan? Is there a time period, manufacturer, size, color or other specific thing you look for?

My “fan club” consists of seven electric fans of varying vintage. I’m a graphic designer by trade, so I tend to notice the brand badges in addition to the industrial design of the fan.

For collecting purposes, I don’t pay much attention to the brand, or color, or period… I just go for whatever catches my eye. That being said, I’ve been a fan of the “atomic future” shapes of the 1950s for about as long as I can remember, and I suspect that most of my fans date to that general time frame.

Do the fans have to work? Do you repair them? If so, do you do it yourself, or pay a professional? (Or, option three, make a spouse do it lol)

Six of the fans work, although the oscillating fan no longer oscillates. One that had been a catalog stylist’s prop and was gifted to me has a cut cord, and I’ve never bothered to splice a new plug on. I could, though! If the motor is blown, though, that’s beyond my own skill set. I might pass it off to a mechanically-inclined friend and bat my eyelashes, but it’s really not important to me that one isn’t working.

When buying, though, I’ll do a function test on-site if it’s possible. Which is kind of funny, really, because I never use any of them for their intended purpose!

Aside from your personal budget, do you pay attention to the monetary or book value of fans?

None whatsoever.

I buy what I like, and the most I’ve spent is $20 so I decided that was my personal, if random, limit. I could easily go higher, and I know that I’ve been very lucky both with my own finds and with the friends who have given me a few as gifts.

When my collection was younger and smaller I tried looking up the value of what I then had, but it was a cursory search and really. I just buy them because they look cool. It’s not an investment thing, like clocks or rugs would be.

What made you become a fan of fans — decide to collect fans?

I bought my first fan for $1 at a garage sale. (Well, the seller was asking 75¢ and tried to give me 25¢ change but I told her to keep it.) That was a blue Coronado, and I bought it because I loved the shape.

Then I bought a second at an antiques mall, and my third (the non-oscillating one) at a flea market. That was when I came up with, “Two is a coincidence. Three is a collection.” Talk about a rationalization!

How many fans are in your collection?

A mere seven, but they take up space!

How do you display your fan collection?

I used to have them up on wall-mounted shelves in the living room, but a few years ago I bought an “entertainment center” that has six cubbies which are perfect for displaying items approximately fan-sized. The seventh fan sits on top of the TV. If/when I get more, there’s a shelf that’s supposed to go along the top which can hold perhaps five or six similarly-sized fans.

Fans are larger and their shape makes them less efficiently organized than say books or some other collectible… Does their size limit your collection?

Most definitely. I had to set an artificially low budget for myself so that I won’t obsess over searching for them, or my house would fill up. They’re definitely out there if you’re looking!

Instead, I made an Etsy treasury of electric fans for other people, and tried for a while to replace listings as they sold. As the treasury got older, it wasn’t getting new views so I stopped updating it. I can’t bear to take it down, though, so perhaps it’s time to refresh it!

Do fans have many fans? lol In other words, when you are at auctions, flea markets, do you find yourself competing with many other collectors for the fans?

There do seem to be a few collectors out there, but since I go for looks/price and not book value, I don’t know if we’re hunting for the same things. Shipping expenses will often blow my budget out of the water, so I tend to look locally. I’ve never had anyone try to pry a fan out of my hands at the antiques mall! LOL!

How do people react to your collection of vintage fans?

The fans are clearly on display in my living room, which is the first room in the house. People who know me are used to seeing them (the collection started somewhere around 10 years ago), but new friends notice them right away and usually let out with a “Oooh, I like your fans!” They’re like sculptures for the common man!

Do you collect brochures, advertisements, packaging etc., or just the fans themselves?

Just the fans, although I wouldn’t be opposed to buying printed ephemera if the price was right and it had some display value.

Do you collect anything that you’d consider related to fans — other small appliances or some such?

I’m a clutterbug. Is that a word? It is now. I collect, actively or passively, a lot of things. Fans are the only electric appliances, though!

Given your youthful appearance, I gather the fans are much older than you are and so they do not carry a sense of real life nostalgia for you… Is there anything you’d like to say about your affection for their “atomic” appeal?

Why, thank you! Yes, I imagine all of the fans are older than I am. However, I grew up in a family of thrifty folks who typically didn’t throw away or replace anything that was still useful, so this is the kind of fan that my grandmother or great aunt would have had in their houses.

My dad had an industrial-strength window fan in his home office that was probably similar in style, although I don’t quite remember its looks as much as I remember its ability to wreak havoc with his paperwork if we accidentally shut his office door! As a family, we spent many weekends watching ’50s sci-fi and film noir flicks on the television, so I’m sure I grew accustomed to this style in that way as well.

Then again, I’m still grumpy that the Dodgers moved to L.A., even though Ebbets Field was torn down before I was ever born! It’s difficult to explain some of the things I’m sentimental about.

Isn’t that true for some many of us.

You can keep up with Wink at her blog, Shoes and Pie, and become a “fan” of her Etsy store at FaceBook.

Photographs of Wink with her Fan Club taken by Candy Apple Photography. (Caution: Candy Apple Photography website plays music — so don’t try to sneak in at work, unless you’ve got your sound off!)

The Discovery Channel’s Collecting Show Auction Kings

Another entry in the slew of antiques and collectibles television programming is the Discovery Channel’s Auction Kings, airing Tuesday nights.

This collecting reality show focuses on the world of auctions via the activities of Gallery 63, a consignment auction house in Atlanta, Georgia, owned by Paul Brown.

As far as the personality aspect of the show, the cast of Auction Kings, aka the crew of Gallery 63, is amiable enough. Unlike some shows where part of the appeal is the characters and how they interact, the folks on Auction Kings may be a bit too affable… They do joke around and challenge one another, so it seems like a nice place to work; but they lack the edge of say Pawn Stars or the chemistry of the American Pickers. (Cindy Shook, the manager, is probably my favorite because she’s a racy lady!)

A show strength lies in the usual collecting show format: the brief educational segments on history and identification, often comprising of those appearances by experts in specific areas of collectibles.

Additionally, segments on Auction Kings often show some of the necessary behind the scenes work that many collectors and bidders forget about when they include Delfino Ramos, the handyman, tackling repairs — including on items he’s never seen before. While this isn’t a detailed “how to” segment, viewers get an idea of how easy or complicated repairs are, and therefore can consider that effort (or the charge by a professional) when evaluating antiques and collectibles. This is helpful for collectors at every level.

However, the best part of Auction Kings is the fact that this show is focused on auctions themselves. Because auctions are spontaneous, surprising things!

While Hollywood Treasure is also focused on auctions, movie memorabilia and collectibles is a very specific niche — and those auctions are for icons of film, which means higher prices. Auction Kings, on the other hand, shows general auctions. There are rare gems, but there’s also a lot of “everything else.”

From a rather unremarkable pair of cheetah print chairs (which may or may not have once been in a brothel) to a book authenticated as previously owned — and signed — by John Hancock; from a case of Billy Beer to an antique Venetian mirror; from retro arcade games to an ancient hand canon; Gallery 63 gets it all.

And viewers can learn about it.

As every fan of auctions knows and the show says, over and over again, “you never know what will show up at an auction,” or what it will go for at an auction. This is shown via the end of the show recaps, in which you are shown the item, its appraised value or auction estimate, what the owner/seller hopes to get for the item, and the final value at the end of the auction.

Sometimes the seller is happily shocked, sometimes the bidder gets a steal, sometimes both the buyer and the seller are thrilled — it all comes down to their expectations. And the climate on the auction floor, of course.

In a recent episode, a man brought in a case of Billy Beer. The breweriana expert said it had no value because a lot was sold and everyone saved it thinking it would be valuable one day. But they were going to auctioned it off anyway because the beer is no longer tasty (If it ever was?) and the owner didn’t care what it sold for. This prompted a bet between Shook, the manager, and new employee Jon Hammond, “The Picker.”

Hammond thought the case of Billy Beer would sell for $100 or more, even after Shook told him what the expert had said. They wagered a six-pack of fresh beer on the auction results — and Shook lost when it sold for $100. So you could say that the newbie knew more than the more experienced folks. Or he just got lucky. In any case, he got the free six-pack of beer. *wink*

Just another case of “You never know what will happen at an auction.” And why I like to watch Auction Kings.

Julia Marlowe, Selling Stuff From Head To Toe

My mom has listed these pair of Julia Marlowe boots.

Julia Marlowe (August 17, 1865 – November 12, 1950) was a famous stage actress.

But why would a famous Shakespearean actress lend her name to a shoe? Was she just a heel? *wink*

The best I can do share the following tantalizing tidbits…

One, as for the shoes specifically, in 1903 Marlowe was a big hit in Ingomar, prompting The New York Sun to say, “There is not a woman player in America or in England that is – attractively considered – fit to unlace her shoe.”

A lovely compliment bestowed to Marlowe that no doubt had Milwaukee’s Rich Shoe Company thinking Marlowe was a shoe-in for sales and that they’d make a lovely pair.

Two, then, as now, celebrities liked to make money by endorsing products. In Testimonial Advertising Using Movie Stars in the 1910s: How Billie Burke Came to Sell Pond’s Vanishing Cream in 1917, Leslie Midkiff DeBauche writes:

A survey of the advertising in the Ladies’ Home Journal shows that in the 1890s spokespersons were usually woman, mainly in their thirties or forties. They included actresses, like Julia Marlowe who was in her thirties and had gained prominence performing in respectable Shakespearean repertoire. She endorsed a shirt waist made by Schlesinger & Mayer (Advertisement 1898, 36), Freeman’s Face Powder (Advertisement 1900, 37), a book entitled “A Bride and a Brindle,” with its attendant engravings (Advertisement 1903, 43) and both “Julia Marlowe” shoes and oxfords made by the Rich Shoe Company of Milwaukee, Wisconsin, (Advertisement 1897, 42).

(I so want that vintage face powder to add to my collection!)

So it’s one, two, sell that shoe!

If you’re as fascinated as I am, look for more Julia Marlowe collectibles!

Image Credits:

Photos of Julia Marlowe shoes via No Egrets Antiques (my parents).

Julia Marlowe Eureka Craddock’s Medicated Blue Soap Playing Card, circa 1903, via Things & Other Stuff.

Julia Marlowe shoe ad, 1897 Sear’s catalog, via Funky Boutique.

Other antique photos of Julia Marlowe from NYPL Digital Gallery.

A Guide To Collecting Vintage Fashions & Lingerie

Four collectors of vintage fashions and lingerie share their tips on what to look for when collecting vintage fashions.

The experts are:

Vintage lingerie collector Layla L’obatti, who is the designer behind Between The Sheets Lingerie.

Theda Bara of Theda Bara’s Vintage Lingerie, a shop that specializes in selling vintage lingerie from the 30’s, 40’s, 50’s, 60’s and 70’s. (She also has a blog, Theda Bara Vintage.)

Wink of Tiddleywink Vintage, a shop which contains mostly clothing focused on the late ’40s through early ’60s, but also dabbles in the occasional later-era clothing. (She also blogs at Shoes and Pie.)

The conversation is led by Slip of a Girl, a self-described “lingerie nut,” who runs, A Slip Of A Girl, a blog devoted to all things lingerie, especially vintage lingerie.

Slip: Collecting means different things to different people… Not only does everyone have a unique reason for collecting, a different aesthetic, and, therefore, a collection specialized to their own tastes, but when it comes to vintage garments, many of us also wear what we collect — or, in cases of the talented, like Layla, use the pieces as inspiration for our fashion designs.

In fact, many of us do not even call ourselves “collectors” — we’re just vintage fashion lovers!

Layla: What you are looking for in vintage clothing depends on your purpose. If you are a crafter or designer who loves to take inspiration from sewing techniques, vintage pieces are a wealth of knowledge… But if you’re a model, photographer, or vintage lover who wishes to wear these pieces, you’re looking for wearable conditions.

Slip: In any case, you’re going to want to know it’s authentic vintage; so, let’s start there.

Theda: When shopping for vintage lingerie, make sure it is genuinely vintage by following some of these tips:

Fabrics. Rayon satins and silks where mainly used before 1941; after-wards, the use of nylon and nylon blends became very popular.

Registered Number (RN). Starting in 1959 and still currently in use. If your garment has no RN number, it most likely is made before 1959.

Care of garment labels. In 1971, the FTC required that textile manufacturers list the garment care instructions on labels. The labels must have washing, drying, bleaching, ironing, and/or dry cleaning instructions. If your garment has care instructions it is most likely created after 1971.

Placement of the label. Most labels will be on the side seam. During the 80’s, they started placing the labels on the inside of the neckline.

Union label. Union labels are often datable by union history. Among the many different unions, ILGWU, the International Ladies’ Garment Workers’ Union, was one of the most prevalent and powerful, and the first major union to have mostly women members. Here’s an excellent guide to union labels, with photos of the labels.

Layla: Look for labels. When there’s a label, a label tells you where and very often when a piece is from. Be careful of fraudulent vintage with labels that look too new — unless it’s new old stock, but even then if its “designer” be careful.

However, if you are in the Midwest don’t be surprised by the prevalence of designer labels! Often times these pieces stay hidden in thrift shops and second hand stores in the Midwest, whereas on the west and east coasts these stores are a lot more picked through and finding these pieces at reasonable prices is rare.

Wink: Of course, not everything has a label, so…

Study. If you’re willing to spend the money regardless of the era, that’s fine. But if you’re going to be embarrassed when you show off your “bombshell vintage 40s/50s” swimsuit to your gal pals and one whispers to you that it’s actually more likely from the late ’60s, you have only yourself (and a mistaken or unscrupulous vendor) to blame.

Read. While this can fall under the category of Study, it can be a lot more fun! I have a large stash of vintage magazines that I love to reference, for the period photography, the articles, and the ads. You can learn not only what fashions were in style precisely when, but also how to set your hair, what nail polish colors were popular, and amusing dating tips! Which Hollywood star was dating who? How can you use up leftover luncheon loaf? How can you wash your gloves to get them sparkling white? Some tips are still relevant, and some are just fun to look at from a modern perspective.

Slip: Let’s talk about some of the flaws to look for…

Layla: Look for New Old Stock (NOS). These are pieces that for some reason were not sold, or hid in the back of a store or closet, and are in unused and unworn condition.

Slip: These often have paper sales tags still attached. But if there are no tags, if the item is not in the original sales package, what flaws should you be looking for? Which ones can be fixed?

Layla: I’d say that if you are buying for inspiration then the flaws are part of the detail; they show you how a piece has worn and how durable certain details are in the wear and tear of life. (Good to know when figuring out what will wear &/or age well.)

If you are buying to wear, show, exhibit then know that rips in fabric or lace are not easily repaired without revealing the patchwork.

If it were denim or tweed you could use iron on interfacing to keep the tear from opening more and, in some cases, this can completely hide behind the fabric (like the time I accidentally merrowed a hole in my finished term garment at the Fashion Institute of Technology… horror, then solution!) But this technique would not work on a sheer or lightweight fabric as well because the interfacing could be seen.

Lace can be hand stitched into place, but thread color, lighting, and quality of stitching could stand out — so the success of this technique depends on your ability to find a matching color, stitch properly so that it blends in, and the integrity of the remaining fabric you are reapplying the lace to.

If the fabric is shredded and fibers worn away too much the thread will not hold for long, and it will really not be suitable for wearing.

Popped seams can be mended from the inside pretty easily, but again if you are looking to “blend” the fix with the original piece you’ll need to have the proper machinery and thread; but these would be the easiest to fix barring major fabric ripping around the affected area.

Slip: This is why so many vintage fashion collectors also collect vintage sewing notions, thread, bits of lace etc. *wink* What else should we be looking for?

Layla: This is a good time to mention that when buying online you can never know things such as smell, flaws, discoloration, even odors such as smoke from the seller’s home. Make sure to look at seller’s ratings, the price, and ask for additional information or images if you are not sure.

Slip: And what things should we be looking for and asking about?

Silk and cotton are natural fibers and so they are more susceptible to absorbing our natural odors; you would be surprised how much you sweat while you sleep! That sweat and shedding of skin cells accumulates heavily in these two natural fibers, so worn items are very difficult to recover to like new condition.

Dry cleaning can help but also jeopardizes the integrity of the garment, as natural fibers deteriorate quickly when these methods of cleaning are employed. (If you do need to clean something take it to a cleaner you trust and who uses “green” cleaning methods, these tend to be less harsh and stringent on the fibers.)

Slip: You don’t have to watch Mad Men to know that people used to do a lot of smoking in the past; so look items over for cigarette burns and holes. Oh, the number of vintage chiffon gowns and peignoirs which have been ruined by pinkie-tip sized holes with charred edges! Look carefully in the voluminous folds and use your fingers to feel for blemishes.

If there’s a flaw or two, and this is for your own personal use, I recommend using appliques &/or dying the garment to disguise them. If you are intending to resell vintage or invest in the garment, do not do this; pass on the item. If you are a crafty person who likes to save such things and sell them, clearly state how the vintage garment has been upcycled.

Layla: Vintage furs are generally quite valuable; people would rather buy vintage fur than new fur (my personal feelings on this are quite mixed).

If you do decide to buy a vintage fur piece, peel back the fur to see the condition of the skin beneath. This is really important because real fur dries, and when it is compromised it will deteriorate quickly and begin to shed.

Another issue is mold and smell, but this you should avoid in all purchases — it’s more work than it is worth.

Slip: Now for the matter of fit…

Wink: Size. This seems obvious, but I became a reseller in part because I had a closet full of beautiful vintage that was too big, and that I realized I’d never “get around” to having taken in!

(Secret: I still have at least two dresses that I will make fit, one way or another. Someday.)

Layla: A skirt can be shortened, a jacket fitted, and small issues repaired; however…

If you are looking to wear bias pieces the fit cannot be altered easily; this is very difficult to do without creating puckering and killing a garments original drape and beauty. I would actually highly discourage trying to alter a piece on the bias.

I would also discourage fitting any shapewear, girdle, brassiere, or corset pieces — again the seaming can be complicated and the surface detail can be distorted when taking seams in. Unless you are a seamstress and are not concerned about the original integrity of the piece, then I’d say leave it be.

Slip: Any parting thoughts?

Theda: Vintage lingerie is something that is desired by many women today. Today’s lingerie can’t hold a candle to the soft and subtle materials of the eras gone by. Try to find soft nylon satins and rayon in your local store — they aren’t there!

Wink: Look for flattering cuts. “Just because it zips, doesn’t mean it fits.” Know your figure, and know what works for you. Women have come in all shapes and sizes for all time, and you can find “your” best look within any era. Really!

Layla: Trust your instinct, buy what you think is beautiful! In giving these pieces a second life you will be bringing back a little piece of history!

Slip: I couldn’t agree more!

Thanks to all for participating!

This post is © Slip of a Girl.

Image Credits (in order of appearance):

Vintage peach silk full slip dress, circa 1920s, from Theda Bara Vintage.

Vintage Union Label, 1955-1963, from poprocksnsodapopvintage; via the Union Label History Guide.

Vintage blue and white swimsuit by Robby Len Swimfashions, circa 1960’s, from TiddleyWink Vintage.

Vintage nightgown and bed jacket from the vintage lingerie collector Layla L’obatti, the designer behind Between The Sheets Lingerie.

Close-up of delicate chiffon and stitching on Between The Sheets lingerie to illustrate fine details in stitches and delicate fabrics, courtesy of designer Layla L’obatti.

Upcycled hand-dyed pink vintage Vanity Fair nylon full-slip via Theda Bara Vintage.

Vintage princess pink silk party dress from the 1950’s via TiddleyWink Vintage.

How eBay Is Helping Collectors Get What They Want For The Holidays

In this economy, finding the perfect gift may be easier than affording it; but eBay has good news for those who collect antiques and vintage collectibles — and those who buy antiques and vintage collectibles as holiday gifts.

Ebay now has two new announcements to help making afford gifts more possible.

The first is eBay Group Gifts (Beta). This new program allows you, your friends, your family, &/or your coworkers, to “chip-in” on gifts. To set up a Group Gift, all you need is an eBay and PayPal account -– then anyone with a credit card can chip in. You can even use FaceBook to coordinate the group gift.

If group purchases aren’t your thing (or at least not for every gift), eBay now offers Bill Me Later through PayPal — which, if used between now and November 30, 2010, will get you n$10 back on your first Bill Me Later purchase on eBay.

You can even combine the two, participating in Group Gift and using Bill Me Later for your part of the gift payment!

News For Silent Film Fans & Collectors

Silent film collector Mary Ann Cade has been contacted by a researcher who is working on a BBC documentary for UK television about Hollywood Photography:

As part of the programme, we are recreating 7 important images that tell the history of Movie star photography in Hollywood.

Our first image is the above still of Theda Bara.

After googling around on line, I came across some information that said you have some of the items Theda wore in the photo. Is that so? I’d love to hear more about it. We’re right at the start so I am trying to gather as much information about each of the images. I’d love to hear about your research.

The program is tentatively titled Shooting the Stars: Hollywood Photography; I’m very eager to see what the other six images will be selected and to see the documentary!

Also, because of my 2008 interview with Cade about Annette Kellermann, Cade was contacted by glass lantern slide collector Rob, who shared not only this glass lantern slide promoting Queen of the Sea…

But this bit of news too:

I am currently researching a book on the subject of lantern slides and their use as an advertising medium for motion pictures, and in conjunction with that I am developing a web site (www.starts-thursday.com).

So there’s a new site to keep an eye on — and, hopefully, a new book!

Vintage Paper Dollhouses

My parents will correct me if I’m wrong, but I didn’t have a doll house when I was little.

At my grandma’s house, there was my aunt’s old metal dollhouse… And I had Barbie houses and the like. But I never had a real dollhouse, a real miniature world of my own… Until now.

At an recent auction, there were a number of vintage and antique toys, including two vintage paper dollhouses. I was fascinated because, frankly, I’d never seen a paper doll house.

But I figured both old dollhouses would go for more than I had to spend in total that day, and so the auction viewing was as close as I would get.

However, when the first vintage dollhouse (the one made of pressed paper board, shown on the left in the photo) went cheap, I was hopeful — and managed to win the other!

While I don’t have any dolls or furnishings for my new-to-me old toy, I now had the opportunity to learn more about the history of paper dollhouses.

As you can see, my vintage dollhouse is made of paper — a thick paper, thicker than the usual business card, but thinner than the standard cardboard; as opposed to the thicker pressed paper or fiberboard of the larger house at the auction.

Neither dollhouse had any obvious marking for maker, etc., and as I’m reluctant to handle such fragile things (especially when I can’t imagine I’ll be able to bid on them), I didn’t dare hoist them in the air for a closer inspection. (And so I know nothing about the larger house.) But when I got mine home…

Well, closer inspection brought no further help in terms of maker; so it was research time.

Grasping at straws, I searched for paper dollhouses, Tudor paper dollhouses, etc., and eventually got lucky, finding this 1947 advertisement from the December issue of Children’s Activities for a fiberboard house by Built-Rite of Indiana.

Now that I knew the name of the manufacturer of the vintage chromolithographed cardboard dollhouse, I could really find out more.

The Built-Rite name belongs to Warren Paper Products Company, a company founded in 1921 by Donald M. Warren as a manufacturer of paper boxes for makers of candy, apparel, jewelry, and other items.

By the 1930s, The Great Depression meant the need for cheap toys in the United States and Canada. Not only did paper mean a less expensive toy, but toys made by North American companies would be cheaper than toys shipped from Germany. This created a demand for toys that Warren Paper Products and other companies were happy to fill.

The advances made in color printing in the late 19th century, meant that elaborate architectural details could be depicted on flat surfaces. According to Gunn Historical Musem, “This offered an ideal medium for toy villages. Individual buildings were printed on heavy paper or cardboard that could then be compactly folded for shipping, then assembled by a child.”

As you can see from my vintage paper dollhouse, and the following photos of another vintage Built-Rite dollhouse (sold as a “toy house play set”), assembly was a simply a matter of unfolding the structure, popping out pieces along their perforated edges (mine even has several types of bushes, a cat and a dog!), placing the tabs into the slots, and setting the house up on the bottom of the box it came in.

Warren Paper Products was the leader in this market, presumably, at least in part, due to its patented in 1932. But there were competitors, such as Andrews, Durrel Co., Gables House & Carton Co., Grimm & Leeds Co., Jayline Toys Inc., Marx Toys, McLoughlin Brothers, Sutherland Paper Company, Transogram, and Wayne Paper Products.

By the time World War II began, disrupting the flow of toys from Germany, plastics was becoming the word — but toys made of paper, and toys made of wood, cloth, etc., jazzed-up with colorful printed papers, were still very popular too.

Not only did the demand for paper dollhouses increase, but during the 1940s and 1950s Warren Paper Products began manufacturing paper towns, forts, farms, airports, bridges, trees for toy trains as well as forts, railroads stations, farms and airports

Many of these paper dollhouses by Warren Paper were built as replicas of actual homes and they were marketed though Life Magazine and Time/Life, Inc. as a selling tool for the magazine’s house plans after the war (to house the baby boom). Which rather inspires a whole other bit of investigation.

And here I thought I’d just have to invest in some vintage dolls and dollhouse furniture, etc.; turns out, I’m right back to my vintage magazines again!

Image credits:

All images are my own (and may be used if properly credited), except for the vintage ad, which was via Jennifer McKendry’s antique dollhouse site, and the Vintage Built-Rite Toy House Play Set No 34 photos are via Nine Caroline Antiques.

Practical, Yet Thoughtful, Gifts & Stocking Stuffers For Collectors

It’s that time of the year again, when people ask me, “What gifts can I get the collectors in my life?”

Some say it’s easier to buy gifts for those who collect modern collectibles; you simply run out and purchase the latest release — and boast to everyone else that you got it, they’ll have to come up with something else! For those who weren’t quick enough on the draw of their credit cards to get the latest issue in a collectible series, for those of you who have collectors of antiques and vintage collectibles in your circle, for those of you who know you have collectors to buy holiday gifts for — but you really have no idea what they collect, here are some practical but thoughtful ideas.

Some of these items are inexpensive stocking stuffers, but they certainly can be grouped together to form a larger gift too.

If you know what they collect, the general category of collectibles, or if they have a specific heirloom they cherish…

For collectibles display, storage, cleaning, & protection:

For those who collect small things, such as buttons, beads, pinbacks, sewing notions — and vintage fishing lures, of course — there’s tackle boxes, plastic hardware cabinets and craft containers to store collectibles in. (Tool boxes also work well for over-sized ephemera.)

For the collector of glass, pottery, figurines, plates and other breakables, Quakehold makes Museum Putty and Museum Wax. (These and similar products hold fragile pieces in place even when angry teens and other careless folk slam doors, etc.)

Vintage jewelry collectors have jewelry that needs polishing and cleaning, but the polishing cloths used by most fine jewelers will be too strong or abrasive for vintage costume jewelery — including the metal parts. Sunshine Cloths, however, clean and polish vintage costume jewelery without removing platings, washes, and most coatings. (For those who collect fine vintage and antique jewelry, there’s Sunshine® Polishing Cloth for Sterling Silver, Gold, Brass and Copper Jewelry.)

For collectors of silver, who are not fans of the patina, there’s Hagerty 10120 Silversmiths’ Silver Polishes.

For collectors of Bakelite radios, Lucite purses, buttons & costume jewelry, and other things made of vintage plastics, there’s the Novus Polish Kit, which contains both a scratch remover and a polish.

For ephemera collectors (antique photographs, postcards, vintage trade cards, old documents, etc.), there are supplies to organize, label and store , including archival sleeves and bags.

For collectors of books and bound ephemera, there are materials for archival book & pamphlet collection maintenance.

For those who collect vintage and antique textiles, linens, and fashions, there are specific archival materials too.

And of course there are a wide array of books and guides from publishers who specialize in the needs and interests of collectors (and dealers!), such as Krause Books and Schiffer Books. And don’t forget there are many magazine subscriptions too.

If you know they love to hunt for vintage and antiques, but you don’t know what…

My standard gift suggestions for collectors who enjoy the thrill of the hunt include the basic gear collectors need. If you want to make it look more “gifty,” pack up the gear for a collector in a new purse or tackle box! Even if the collector already has some (or even all) of these items, they won’t mind a spare set.

Publications such as Antique Week, show upcoming auctions and flea markets in your collector’s neck of the woods.

Perhaps your collector doesn’t have cable TV — or is too busy hunting to see the current spade of television shows about collecting; many of them have DVDs available. And if the collector on your list is a fan, perhaps they’d like the DVDs or some merchandise which they can sport while out hunting for their latest find.

Many collectors and dealers enjoy the latest releases from Kovels’, Warman’s, and Schroeder’s which cover general antiques.

Vintage Figural 8-Ball Lighter

I’m a sucker for kitsch, so when I spotted this plastic 8-ball on a green stand, I had to pick it up. The top lifts off, showing a lighter inside it, making it a rockin’ display piece for the rec room or bar, even if you don’t have a pool table or don’t collect tobacciana; so I put it up for sale in my case at the Moorhead Antique Mall.

These vintage 8-ball lighters can be refilled; the flints and wicks likely are replaceable too.

This this one has “Don’t Get Behind Me!” stamped onto the green base.

Others are clearly more commercial, with promotional tag lines advertising companies and products.

This one has a faux marble base with “Keep Out From Behind With Wabeno Bottling Works, Beer and Soda, Phone Wabeno 55 — Clarence G. Adams” printed on it.

This one has printing on both sides of the base: “You’ll never be behind the 8-Ball when you buy your advertising” on one side, “1929 20th Business Anniversary 1949 Representing” on the other.

(Given that the printed text is so poorly positioned right under the plastic pool ball and nearly nonsensical, I suspect it’s a vintage display piece or salesman’s tool for selling the printed novelty items.)

None of these vintage 8-ball lighters seem to have maker marks or marks for where they were made; the rumor is they were made in Japan.

But in any case, they are cool!

Additional Image Credits:

Wabena Bottling Words (Wabena, Wisconsin) lighter photo via Whatnot Collectibles.

Vintage 8-ball lighter with printing on both sides of the base from Gathered Goods and Curiosities.

Collecting Children’s Spoons

While interviewing the charming and delightful artisan behind I Sew Cute and As Luck Would Have It, I naturally had to ask her if she was a collector too…

Someone told me that if you have three of anything, then you have a collection. If that’s true, then I have dozens of collections!

I guess if there’s one thing I collect — by seeking it out & keeping track of the items I already have, it would be my collection of vintage and antique children’s spoons.

Some of the pieces I have are from my own childhood & the collection just grew over the years. I love that they’re a warm fuzzy reminder of the joy of childhood, as well as being functional for every day use. My kids use them, so they don’t just sit in a drawer getting dusty. I keep them in a jelly jar right in the kitchen where we can grab one in a pinch.

When did you start collecting them – or admit to yourself you were collecting them?

During my college years I started really seeking out new old spoons. I’m still a big kid at heart & don’t have fine china. We have Warner Brother’s Fiesta ware that I pull out for really special occasions & holidays. Good thing I married a guy who’s young at heart too!

You said you track them… How so?

I have a list in a moleskine sketchbook which I keep in my bag, just in case I stumble upon some at a flea market or online.

How many do you have in total?

Gosh, I’ve never counted them! Ballpark guesstimate? Around 20-25 and growing, of course.

Are they silver, or “just” metal?

I believe most of the larger ones are just silver plate or stainless steel, but a few of the wee baby spoons I have are silver.

Do you look for certain makers, characters? What makes you add a spoon to your collection — what must a spoon do to charm you?

I am not concerned at all about the manufacturers. If a spoon has a fun, whimsical, cartoony character and is in relatively decent condition, I’m going to pull out the list. The most recent ones I added were a Donald Duck and a Mickey Mouse found in a vintage shop on Etsy.

Aside from the “Can I afford this?” do you pay any attention to the monetary value of spoons?

No, I’m not collecting them because of their monetary value.

Do you have a favorite spoon?

My Snoopy and SpaghettiOs spoons are my two favorites because I’ve had them since I was a child — and I still remember how special I felt to have them. I knew someone bought them for me because they loved me. Kind of silly or sappy isn’t it? But it’s how I felt and still feel when I look at those two spoons!

It doesn’t sound silly at all — and I think “sappy” is one of the best reasons to collect.

You can keep up with June the spoon collector at her blogs: I Sew Cute and As Luck Would Have It.

From Bull Cook To Bull Crap With George Leonard Herter

At an estate sale on Friday I grabbed this book, thinking it would have some interesting recipes and tips for my vintage home ec blog. It was $5, which I’ll admit is a bit more than I typically pay for a book I know nothing about… Oddly, there was no table of contents to assist me in my evaluation, but the title was intriguing: Bull Cook and Authentic Historical Recipes and Practices.

Turns out, it was a fabulous find!

Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter, is the first of a number of books by Geoerge Leonard Herter (some available as modern reprints). In fact, Bull Cook and Authentic Historical Recipes and Practices itself would later have three volumes; something I discovered via a trip later that day to a local antique mall, where all three volumes could be found (even later editions, in golden boards; each at $19.95).

While I haven’t tested any of the recipes (and there’s more than a few I will probably never ever try!), I can personally attest to the incredible array of topics covered in this vintage book.

Along with recipes for corning liquid, Norwegian Fried Ham, and Fish Tongues Scandinavian, Herter gives you the real history of the Martini, informs you which foods the Virgin Mary was fond of (creamed spinach), instructs you on how to dress a turtle and broil tiger’s feet, and tells you what you must know in case of a hydrogen bomb attack. It’s rather as the author promises right on the first page:

I will start with meats, fish, eggs, soups and sauces, sandwiches, vegetables, the art of French frying, desserts, how to dress game, how to properly sharpen a knife, how to make wines and beer, how to make French soap and also what to do in case of hydrogen or cobalt bomb attack, keeping as much in alphabetical order as possible.

But what makes this book so engaging — or, as Paul Collins calls it in The New York Times, “one of the greatest oddball masterpieces in this or any other language” — is its author. Collins describes George Leonard Herter as “a surly sage, gun-toting Minnesotan and All-American crank” –which translates easily enough to “old coot,” a breed I am particularly fond of.

Herter was the heir to Herter’s, Inc., an outdoor sporting goods business founded in 1893 located in Waseca, Minnesota. (The company closed decades ago; but the brand lives on via Cabela’s — and hunters and sportsmen are avoid collectors of vintage Herter’s items.)

It’s not quite clear if Herter’s authorship was simply a genius marketing move, or if he just had more he was desperate to say — even after writing thousands of product descriptions and essays for the company’s catalogs, like this 1974 “How to Buy an Outdoor Knife” essay, whi to promote Herter’s Improved Bowie Knife:

An outdoor knife must be made for service–not show. Your life may depend on it. Real outdoor people realize that so-called sportsmen or outdoor knives have long been made for sale, not for use. The movies and television show their characters wearing fancy sheath knives. Knife makers advertised them and drugstore outdoorsmen bought them. [insert a picture that looks something like a Marble Woodcraft or an old Western fixed blade here] Nothing marks a man to be a tenderfoot more than these showy useless knives.

Ahh, classic Herter.

But whatever the case, savvy marketing or the need to “talk,” Herter was prolific and opinionated in his writings.

Most of Herter’s books were, at least in title, based upon the sporting goods business and the outdoorsman’s life — even with a few giant steps into the domestic world. However, his book How To Live With A Bitch is not — I repeat NOT, about a female hunting dog. (If you cannot find a copy listed among Herter’s works at eBay, check Amazon for this elusive gem.)

So, what begins with a $5 bargain (for a hardcover copy of a 1961 third printing), leads to more fascinating fun than I can barely stand — but wait! There’s more!

I found this book on Friday morning at an estate sale, spotted the three volumes at an antique mall later that afternoon, and then I even managed to snatch another copy (1963, sixth printing) for $6 at an auction on Saturday! This makes me very hopeful that more Herter books will fall into my hands — and I’m thrilled to do more of the collector’s kind of hunting.

Further reading:

A review of Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter at Neglected Books.

Reminiscing about Herter’s at Topix.

Image credits:

Photo of George Herter, by Peter Marcus (1966) via the NY Times article by Paul Collins.

Vintage photo of Herter’s Inc. via Waseca Alums.

New Collecting Show: Hollywood Treasure

In what may seem like an unlikely match, the SyFy channel enters into collectibles infotainment with Hollywood Treasure; yet given the nature of the show, it may not seem such a strange match…

Hollywood Treasure follows the activities of Joe Maddalena, the owner of Profiles in History, the world’s largest auctioneer of movie and television props and memorabilia. Since science fiction has given us some of the most iconic films, TV shows, and pop culture reference points, a show about such significant relics is rather suited to the channel. And we certainly can’t ignore that sci-fi has some of the most devoted fans and obsessive collectors!

Hollywood Treasure sure does show incredible pieces of film history — the sort of things that most of us are even afraid to dream about having. For example, on the premiere episodes last night, we saw the Wicked Witch of the West’s hat from The Wizard of Oz. It sold for $200,000 — if I’m recalling correctly; it rather blew my mind!

In this way, Hollywood Treasure is rather like the Lifestyles of the Rich and Famous of the collecting shows; it showcases some of the most rare keepsakes of our culture, with auction prices to match, that end up in private collections. It’s eye candy most of us will never have. Maybe never even see (outside of the show).

But that’s not the only reason the show is worth watching.

As an obsessive collector who dreams of the ability (and staff!) to find and research objects until the answers are found — or at least all options are exhausted, I enjoy watching the means and methods Maddalena and his staff use to authenticate items.

In fact, I wish a bit more time was spent showing the details of such pursuits.

The brief consolidated findings of motion picture and television historian Marc Wanamaker, who stated the suit was indeed worn by Bela Lugosi in White Zombie is authentic even though the jacket had been modified by the studio (he even got a certificate of authenticity from Warner Brothers to prove it!) left me wanting to know more.

And the steps in identifying the old carpet bag found in a Chicago basement as the one used by Julie Andrews in Mary Poppins were so fascinating that the frames seemed to fly by too quickly.

But maybe that’s the sort of hunger that’s never really satiated for the obsessive. *wink* (And I can get that sort of info from History Detectives too.)

Then too there are the moments we collectors can bond over, no matter how deep our pockets, or how rare our collectibles.

The ambiguous anxiety of Sue Palmer, the owner of the Wicked Witch’s hat, as she pondered whether or not to sell was something most of us know (even if our decision to sell doesn’t bring such big bucks). It’s that personal connection to the tangible object versus money; it’s where “Mine!” meets “Maybe it belongs somewhere else — to someone else…” We’ve all been there and wrestled with those decisions.

And my heart broke when horror collector Ron Magid had to stop the bidding on Lugosi’s suit at $95,000 and lose what he coveted… Haven’t we all had to bail on bidding or just walk away and leave what we love behind? Oh, the agony of wallet’s defeat!

But I was nodding and grinning again when Magid explained his reason for putting down his paddle: “I’d spend the rest of the life on the front porch if my wife knew I’d spent $100,000 on a suit.”

So while the collectibles shown in SyFy’s Hollywood Treasure are completely out of my reach, the fundamental aspects of collecting are here: the passion for hunting, preserving, owning, research, buying and selling exist in all levels of collecting.

However, part of the charm of shows like Pawn Stars and American Pickers is the chemistry between the cast (or, if you prefer, the professionals). Since only two episodes of Hollywood Treasure have aired, it’s difficult to say if this sort of fun will emerge on thhe show. Right now, the tone is far more “business professional” which, while perhaps more appropriate for the caliber of collectibles, rather removes that sense of personality. But as I said, time will tell.

Personally, I’m looking forward to more episodes of Hollywood Treasure.

And if the beyond-my-grasp level of grand collectibles makes this show more of a guilty pleasure than an actual informative show, I can live with that.

Learning From Vintage Ephemera About The Condition Of Collectibles

I know folks like to think I rationalize my compulsion for vintage booklets and magazines, but I think there’s gold in them-there old pages!

Today’s example comes from 367 Prize Winning Household Hints From The Armour Radio Show Hint Hunt, circa 1940s, a booklet from the daily CBS radio show. Included in this vintage booklet are some tips on books, magazines and phonograph records which might just be of use to the collector.

The advice regarding magazines is “to have each member of the family initial the cover of a magazine as they finish reading it so you will know when the magazine may be discarded.”

This, my fellow ephemera collectors, might explain the seemingly random multiple initials on vintage magazine covers.

Now for you book collectors; the tip for preventing “library mold” is to sprinkle oil of lavender, sparingly, throughout the book case.

While I doubt the scent would last very long, if persons practiced such things, it might account for oil spots on vintage book covers and pages.

The last tip is regarding records: “Warped phonograph records can be straightened for playing by placing the records on any flat surface in a warm room and weighing them down with heavy books.”

Given the temperature it takes to melt vinyl records — and that this advice was given in the 40s, when records certainly weren’t made of that flimsy vinyl of the 70′ or 80s, I imagine that everyone in the house sat around in their undies sweating while mom or dad un-warped the family’s records. But that’s just me romanticizing the past *wink*

THE UNEXPECTED COLLECTIONS: PICK & GRIN FIND AT HOME

Grin: I decided to clean out some desk drawers and filing cabinets. Trash collection is tomorrow and I can’t seem to close some of my drawers anymore.

Pick: You never could keep your drawers closed.

Grin: I resemble that remark, and blame you for my condition. But to the point, I have trashed some stuff I know should have gone to recycle years ago, mostly paper receipts, bills, catalogs and correspondence. Lots of old price lists, that makes me cringe when I think of the great stuff I should have bought at those prices.

Pick: Was that back when you were making two bucks an hour, and all the fries you could eat?

Grin: OK!! Ruin a dream, but you were the one that married me for my money.

Pick: I married you because your mother promised to pay off your bar tab.

Grin: And your father offered me fifty bucks and a tank of gas if I wanted to escape.

Pick: So, what’s the problem, do you need help carrying your junk to the curb?

Grin: What I really need is a sanity check, I have found stuff. Things that have accumulated into what can only be described as unexpected collections. And since you are an expert on collections, I need your advice on whether to toss them out, or save them with the intent of someday offering them for sale.

Pick: Well, if they’re your collections, some items are probably antique already.

Grin: I should have taken the fifty bucks.

Pick: So let’s see what can be tossed or saved.

The collection of business cards, mostly industrial companies from the upper mid west, lots of big name companies, many manufacturers now gone or moved.

Our old expired credit cards.

Plastic and heavy paper faux credit cards pasted on letters telling me my credit was so good I needed another card.

Pick: Goes to show, you can fool some of the banks all the time and all of the banks some of the time.

Rubber stampers, mostly shipping room types, some are address or date stamps.

Old industrial catalogs, some dating back to the 1920s.

Connection cables from computers and electronic devices.

Pick: Well, let’s analyze each to see their potential for a future sale, with the understanding you’re going to toss out the useless collections. First, your collection of fake credit cards, that’s an easy toss. You have so many the same and all from big companies, the collection will never be sellable in your lifetime. I’ll bet these were send out by the billions.

On the expired credit cards, I just don’t like having our name out there on old cards. This one is a tough decision as I have sold old credit cards before, but like the fake ones, none of yours are from old, out of business companies like Gimbels Department Store, a bank or an oil company thats no longer in business. Those would be worth hanging on to.

As for old electrical cables, why not save one of each style and recycle any duplication of the ones that are from old technology.

The rubber stampers, ink and pads are strictly useable, none are old enough to call collectable but still useable. Keep any that can be used for our antique business and sell or donate the rest. I would think with the stamping craze still strong, some might be sellable, like the fragile or first class stamps.

I have been surprised at the number of ephemera collectors we have encountered, look at our recent sales on Ebay, especially luggage labels, industrial catalogs, industrial employee magazines and bus passes. I would suggest any of those items are worth saving, as long as they’re older than 1980..

Grin: That’s pretty new. I have socks older than that.

Pick: 1980 is thirty years ago. That’s not the only thing in your drawers that’s old.

Pick & Grin On Vacation

While it’s great to be back, vacations are a time to relax and enjoy some good times with good friends and see new sights. Our recent trip to North Carolina, included a visit into Charleston, South Carolina and a grand tour of many of the city’s historic sites, with the magnificent architecture of very early America.

None of our vacation trips are ever complete without antique shopping and we planned to spend one full day in the Myrtle Beach area and several mornings on the coastline around our vacation condo in Calabash, NC. Our routine before leaving is a check on the net for antique shops in the area of our vacation, then call to confirm hours of operation. This is to insure we are not headed to some place on the one day of the week they are closed.

With disappointment, the North Carolina coastal area and the South Carolina border where we were staying proved to be completely devoid of antiques, even if the word “Antique” is on their signage. Since our adventures had brought us to the Myrtle Beach area in the past, we knew fitting a day trip into our week was a necessity.

Vintage Druggist Pill Crusher from Cottage Antiques

Heading south on Hwy. 17 we spotted an open sign at Cottage Antiques at 1315-C Highway 17 North in North Myrtle Beach,

Phone (843) 249-7563. Looking like a small storefront shop, our first surprise was the depth and width of the physical layout and the scope of the antiques inside. Pick was immediately drawn to the jewelry displays and quickly secured several pieces for her collection. We found lots to buy and a great deal of things to admire, but when you’re flying instead of on a driving vacation, size matters. Several sad irons caught my attention and we were intrigued with a soap bottle in red glass, but left them there for your next visit. Melinda runs the shop and knows her antiques and gave us some hints on other places to visit after she saw the type of items we were interested in purchasing.

Passing several more shops further down on Hwy. 17 that Melinda mentioned but felt they normally didn’t have the type of stock that would interest us, we went to one more location on her short list, and it turned out to be worth the jaunt to the Fox & Hounds Antique Mall at 160A Rodeo Drive, Myrtle Beach (843) 236-1027, off Hwy. 501. They had lots of small items we could fit in a suitcase for the trip home located in front cases as we walked in. Next time we’ll drive when we vacation to that area and will empty the whole place, including great items in most booths that just would not fit into our suitcases.

We mention these two with the hope you will have as good a shopping experience as we found.If you have an exceptional antique store in your area, and feel our readers should hear about them, give us a reply back. We will continue to feature places we stop at that may interest you in your search for vintage and antique items.

Just a note!!

Our ideal shop or mall is one that meets these guidelines:

The owner / dealers have a well-stocked selection of antiques and vintage items and keep out reproductions and new items. The best places have age limits on the items sold. The store aisles, booths and cases are clean and free of clutter, items are nicely displayed, identified, priced and conditions are noted.

A clear consistent sale or discount policy is in place.

I also like to converse with people that are collectors, and understand our passion in searching for antiques. A helpful staff or owner can make the experience doubly enjoyable.

ANTIQUIPS GRIN’S RAMBLINGS WHILE PICKS AWAY

Hello again, Grin here, Pick is out shopping in one of those bedroom communities where the old stores that once housed the local butcher, baker and bookie, now are home to the crafts crowd, crepes kitchen and bobbles and bangles boutique. So I’m left to ponder what’s new in our antique world.

Wait, is “new in our antique world” an oxy moron? Or am I just dumb.

It appears we have turned the corner and sales are up this year over last, and that gives us greater reason to be hunting for antiques and collectibles. Even our success rate at finding items at garage sales has been better.

Our recent travels have taken us to several shops that are new to us, in areas remote to our home. An estate sale in one of the better neighborhoods produced some great finds and a shop in Northern Illinois can keep the lights on and pay the rent from all the items we carted out to the van on our last excursion. I suppose our sightseeing along the Mississippi river was more of a buying trip than it was watching for eagles, but that’s the nature of all our travels.

In case you have not guessed from past posts, Wifey (Pick) has been selling antiques so long, some items she sells now were purchased

new but now qualify as near antiques. Her “on-line” business is about eleven years old and requires lots of stock replenishing. Flea markets in the summer months are for purging items not sold on the net or too inexpensive to justify the time and energy to list. It also works better for selling larger items such as furniture. And flea market selling is lots of fun and provides interaction with customers and fellow sellers that just doesn’t occur with on-line sales.

Now back to the subject of buying. How can she find items to sell and make a profit, especially at antique stores and malls? Well, it’s more work than you would believe. Experience is the main ingredient, knowing what is collectible, at what price. Then the searching begins, at all and every place that sells antiques and selected collectibles. With magnifying glass and magnet in hand, a GPS in the car, it’s off to explore. The American Pickers are amateurs with limited focus on old metal compared to Pick’s picks.

Sealed Deck of Playing Cards with Tax Stamp

Just look at the items from recent jaunts, and you’ll understand the broad range of what her customers are looking to collect. Finding these treasures, means looking for the one item another seller or collector has no interest in and greatly undervalues. The best example? Well, let’s take decks of playing cards, a hot collectible just now. Found everywhere, many decks were giveaway advertising from the local feed store to major airlines. I have seen recent prices range from $3.00 to $15.00 per pack in the same antique mall. And what is hot with collectors? Right now it’s the cute little kitten, lovely lily, a tax stamp still attached to a sealed deck, or the styling on and Ace of Spades. Just don’t place your bet on an airline that flew the world, they must have given out a billion decks to bored boarded passengers.

OH!! NO!! Pick is back from her excursion to latte land, with no new, old things purchased. WOW, how sad.

More from the Antiquips: Bringing Things Home

Pick: That was such a fun auction we went to the other night! Lots of variety, friendly crowd, and it moved along quickly too. My favorite thing was the treasure we got, almost a piece of your family heritage!

Grin: I started my inspection of the items going up for auction at the far end of the hall, and had found several pieces that were of interest. When I finally got to the second last table, there were the three items from the old Gridley Dairy that my grandfather had worked at during the (first) Great Depression.

Pick: You showed me the paper sign, amber-colored milk bottle and the mini-milk can and I could tell you were excited by them. You turned the can around to show the company’s name and location and even the date of “1935.” I asked if your grandpa would have worked there then and you exclaimed “Yes.”

Grin: Over the years, I have bought a couple of bottles with Gridley on them and some paper advertising in the form of recipe books. Nothing expensive, nor rare or too exciting. They are in our Depression-era farm and advertising collection, resting on our antique oak ice box.

Pick: This was a large auction and had numerous items for sale. But we were relieved to see those items brought up front early for bidding. The paper sign was first and I asked if I should bid for it.

Grin: When bidding started, I contemplated trying to get the sign, but the price soon escalated past what I considered to be reasonable. Paper is pretty delicate and not easily displayed when not framed.

Pick: When the runner held up the can and the bottle, I was “at the ready” to bid, asking you how high I should go. They were offering “choice of the two”, meaning we could get one or the other for the bid-price. The bidding was pretty active with three of us in early, then down to two. Our price came and went and I still bid a few more times, but alas, we realized we could not get the can. But to our surprise, the bidder took the bottle and they re-opened bidding. We got it for half what our top bid would have been.

Grin: Part of my interest in this milk can was its size. It can easily be displayed inside the house and not stuck in the garden or on the driveway where some of our other milk cans have been placed. I am not sure what the contents of this can might have been but have a suspicion that it was used In a commercial setting. It have been used to deliver heavy-cream to a bakery or restaurant.

Pick: Well, you know how we love to send things back home! That is the ultimate recycling. We have shipped collectibles back to their original owners quite a few times and that just tickles us. Remember the Ruby Farms thermometer?

Grin: That one went back to the granddaughter of the original owner. And how often do we send advertising items found on our travels back to the city of their origination? Many times!

These are going to collectors that have an interest in preserving part of their town’s history.

Pick: Another thing we sold that brought fond memories to a buyer was the calendar from the dairy near Madison, Wisconsin. The winner kindly shared with us that he had worked that very farm in the 1960s, alongside his favorite cousin.

Grin: Didn’t you just tell me about another treasure that you sent back home?

Pick: Oh, you mean the ashtray. It was from the Golden Zither Restaurant in Milwaukee. The winner was so happy to get it. He got engaged to his wife in that very restaurant many years back. They are close to their 40^th anniversary and he is planning to give it to her as part of their gift. Oh, how romantic!

Grin: We’ll have to share other ‘recyling’ stories down the road. I just read about a nearby auction…

EBay’s Comic Book Superhero Auction Event

EBay’s Comic Book Superhero Auction Event event, timed to run alongside the box office premiere of Iron Man 2 starring Robert Downey Jr., runs through Sunday May 9th, 2010.

During this event several rare and collectible comic related items — many never before offered for sale on eBay — will be featured. Along with vintage comic books (single issues and complete runs), the auctions include original art, signed prints, memorabilia, and specially designed artwork such as an Iron Man drawing rendered specifically for this promotional eBay event by comics artist Joe Linsner.

Bidding starts at $0.99 for most items; for items valued over $1,000, the bidding starts at $99.99. All items are available as auctions with free shipping and no reserve.

The Charming Face & Feet Of An Antique Horsman Doll

This charming antique composition baby doll has a sawdust stuffed cloth body beneath the original stripped cloth outfit.

One of the Horsman Can’t Break ‘Em character dolls, the head and face of this sweet antique baby doll was sculpted by Helen Fox Trowbridge in 1911 using her own one-year-old son, Mason Jr., as the model.

The first doll in the Horsman Gold Medal Baby series, this doll marks the first time that this mold was used.

Considering that this is a 100 year old doll, there are few condition issues. The jointed legs are still flexible and move nicely, there’s some wear to the head. On the right hand, a few of the fingertips are damaged. All signs that this baby was played with, but gently. And that’s part of the charm.

What charms me the most this doll is that the sawdust-stuffed fabric covered feet show discoloration and some fraying — probably where a young child sucked the toes to comfort him or herself to sleep. Literal sweet feet!

Lost and Found – Regrets While Antiquing

Another Blog from Anti-quips – the Collecting Couple

Pick: Have you ever looked back and said “boy, I wish I had bought that!”

Grin: You’d run out of ink in the cartridge before I could print out that list.

P: Oh, really, that many? Give me an example.

G: How about that hotel ice bucket we saw in Chicago. It was silver with the name of the upscale establishment on it. Sure it was way too expensive, but we both really liked it and it sure would impress the guests.

P: Oh, yes, I remember it well. I also recall a Roseville vase that we passed on. It seemed too costly at the time so we drove off, then talked about it and circled the block. When we pulled up in front of the house, we saw a lady carrying it to her car. What were we thinking?

G: I can’t seem to forget a solid brass telescope we saw at a flea market. It was tagged $25, just lying on a table. I have no excuse for not buying that one!

P: Well, I can top that one. How about the guy at the flea market in Kentucky? He had a table filled with jewelry, said it was his late wife’s and he needed to sell it all. I picked through it and found a lapis azuli necklace (which I still have), but we were anxious to view more of the sale and I just moved on. There could have been a treasure trove there, but we were inexperienced and did not spend enough time checking it out. DUH!

G: Well, we have learned better since then. We now know that it is OK to stay put at one booth at the flea market if there is potential. If there are items of interest, we should stick around for as long as it takes. You never know what the next vendor will offer, it could be a lot less quality and the booth you’re at may just be the best game in town.

P: We have left estate sales that had treasures too – we should have known better, but when you are new to the business, you are anxious to “get on to the next.”

G: As long as we are “self-bashing”, I guess we should talk about the things that we should not have bought too.

P: OK, but first let me admit to the biggest faux pas of our history together. The famous “passing of the wrought iron railing.”

G: Oh, dear, I have mentioned that one for over 10 years and hate to let our readers know about it, but since you brought it up. There it sat, in the basement of the crinky antique store in northern Wisconsin. A long, ornate railing, made of wrought iron and (we were told) formerly in a local bank lobby. It was a railing from around the teller’s windows. We stood by it a long time, and I was deciding if it would fit in the van, you were deciding if we had enough money set aside for this “high-level” purchase. The end result is that you told me to step away from the railing, it was not going to happen. We talked about it in the van and you won. Well, actually, we both lost. We returned there about 4 months later and, of course, it was long gone. Since then, we have seen other, less fancy railings, in smaller sizes, with fewer sections, selling for many times the cost of that one. But I am quick to forgive.

P: If that is the case, how come every time we are in a shop or mall, you mention it to anyone who will listen?

G: Well, now that the secret has gone world-wide on the “web”, I will drop it from my spiel.

P: Now, back to your idea of discussing items we should NOT have purchase. Of course, I personally never made that mistake, but several of your buys come to mind. For example, how about the bunch of bottles you bought. They are still gathering dust in the basement. I believe you are responsible for those.

G: Well, maybe you should ‘fess up’ to the purchasing of numerous framed art prints. They are too large to ship if sold on the Internet, and awkward to carry to the flea markets. They take up a lot of space. But on a lighter note, you do get to change the décor in our home regularly.

P: Yes, I just shop in the basement boutique!

G: Another item that we have WAAAYY to much of is the restaurant ware. For a while it was hot and we’d pick up every piece we could find. While there are still collectors out there, we have nearly cornered the market and soon they’ll have to come to us for examples.

P: But, dear, we never paid much for any of it, and many pieces came in box-lots at auctions. We are getting older and our income has become less ‘expendable.’ We may just be serving guests peanut butter and jelly sandwiches off these restaurant plates some day.

G: Or maybe we could find a sharp-shooter who wants to use them for target practice.

P: Some of those heavy-duty Shenango plates are so tough it would take a 44 magnum!

G: In our defense, many items were bought before we became well-informed, or the market trends did an about face. You’ll note that on the TV antique shows, they often state “If you had sold this 10 years ago, it would have brought $5,000, but today, the market has changed and you’d be lucky to get $500.” That’s not our fault.

P: I hate to admit it, but you are right. We have learned from our mistakes and rarely make the same ones. Having said that, let’s head out, rummage season is starting and I saw a few green signs yesterday.

G: OK, but let’s only buy things that will make us rich.

P: Yes, dear. The kids will like that some day when they view the basement and there are only money-makers down there.

Grinin’s Tip To Collectors: When we started to refurbish our home with antiques, from door knobs to stained glass windows, i always had a clip board in the car with every possible size and item I would need. I also have pictures of antique drawer hardware with the clipboard so I can someday match what i need. If you have a space that needs filling on a wall or shelf, have the size with you where ever you go.

I have seen other collectors with record collections, post cards and bus pass collectors pull out their lists to confirm what they have or need.

Recycling Props? “Parrish” The Thought!

Whether you like to collect television and movie props or just like to spot and collect them in your mind, it’s fun to notice when props are reused in other productions. Today’s example comes from television: The harem dress worn by Leslie Parrish in the Star Trek episode Who Mourns For Anonais?

It appears the same ensemble was again worn by Parrish in The Girl In The Frame, the last episode in the the first season of Mannix which aired roughly six months later.