Mapping Out Your Antiquing

Whether your antiquing trips are local or you hit the road to search far and wide, there are a number of antique networks offering maps to help you discover places to haunt & hunt.

antique shopping mapThe Minnesota Antique Network, along with sister state sites Illinois Antique Network.com, Iowa Antique Network, Missouri Antique Network, Nebraska Antique Network, & Wisconsin Antique Network (with plans for more states to follow), offers an easy means for you to map out your antiquing destinations. Along with maps, these sites offer a glimpse into the shops themselves, with photos and descriptions of items available, shop news & events, specialties, etc. This offers the collector, decorator, or avid junker the chance to create a travel or shopping plan that is most likely to appeal to your specific interests and tastes. It is especially helpful if they offer shop hours, so you can plan to get their when they are open.

Of course, some state travel sites and local antique dealer associations offer similar help, as do sites such as AntiqueMalls.com. And I Antique Online offers some shopping directories too. But this currently mostly Midwest network of antique shops by state often makes it easier to start. Plus, each of the state sites has a FaceBook Page as well, which is especially nice for connecting to antique shops in your area. (The shops that have FaceBook pages, anyway.)

Since the shops must pay for placement at these sites, it’s a good idea to always ask the antique store staff what other antique shops are nearby as well as grab the other literature found in the shops so that you won’t miss anything.

PS If you prefer antiquing apps, there’s also the Antique Week app; sadly, it’s only currently available for Apple products like iPhones and iPads. Though there are electronic versions of their Shop Guide directories to use with GPS devices such as Garmin & TOMTOM. The aforementioned antique networks organized by state are also working on mobile versions — fingers-crossed that tech comes soon!

On the Trail for Antiques w/ Pick & Grin

On the Trail for Antiques w/ Pick & Grin

The summer selling season was over. This year seemed consumed with flea and antique markets, plus we conducted more estate sales for clients than any other summer. We felt the need to relax.

Pick: How about a week in Florida, it’s warm and beaches are empty.  Our choice is always to go in early fall. It proves to be a great time to go, when summer travelers are back home, children return to school and the arrival of Snow Birds is still a month or more away.

Grin: And the great seafood restaurants will not be crowded. Plus we could drive and shop along the way.

Pick: Do we ever go anywhere without stopping & antique shopping?

Grin: Not since you forced me into marriage, 40 odd years ago.

Pick: Well, yes, It has been 40 odd years. You plan the route down and I’ll make arrangement to rent a condo for the week.

ACSG

And so I started by digging out the “Travel Guide to Antique Shops & Malls” published by Antique Week, which came with our subscription of their weekly newspaper. Our plan was to take a route we had not traveled “to see what we could see.” I also had their phone app, downloaded to my I-Phone.

Pick: I searched for a rental in Redington Shores, at a complex we already knew from a previous visit. I was set to start looking at “a route less traveled”, at least by us. With the help of a real paper map of the eastern half of the US and the section maps photo copied form the Antique Travel Guide, all laid out on a table, we went about trying to create a list of malls and shops to find the greatest treasure of the century, our Monet Moment.

The A.W. Travel Guide provides listings of stores by sections of the states, on our chosen route, along with informative advertising for each store in alphabetical order by city. I did find the copies of the section maps I photo copied somewhat difficult to page together, and align to my route, so I used a big folding map to highlight our total route and selected shops we wanted to visit along the way. 

 I must tell you, it is the phone app that was most impressive. Easy to use and free to download,  it conveniently offers a very simple set of screens that allow you to select the radius in miles for your search, up to twenty-five miles distance. All stores registered in that distance are shown, and with a few clicks you will see each stores listing and the distance and direction from present your location.

screen568x568

Select a shop and the address and phone number comes up. That phone number can save you from traveling to a store on their day off or after hours. The next screen is a map of the store location and travel time. Touch the address on screen and a route map comes up. How cool is that? All this to decide whether a detour from your route is in your best interest, or continue on with your original route plan.

From our experience, the shop owners or staff of stores listed in the guide deserved our visits. All were well run shops, clean and well stocked, with staff helpful in finding and showing items we were looking to purchase. They listened to our stories of the hunt and shared their insight on what is selling in their area and the general condition of the antique market. Oh! And we were told where to get the best lunch in town, and the next shop we should not pass up.

Did the guide and phone app prove successful in finding great antiques? Well, our trip home was hastened by the fact that we could only buy stir sticks, nothing else would fit in the back of our van.

As always, good hunting.

Pick & Grin

Is “America’s Lost Treasures” A Lost Cause?

When I first heard about the National Geographic Channel’s new show, America’s Lost Treasures, I was excited. The premise is that folks parade in, Antiques Roadshow style, to have their objects evaluated — not simply for monetary value, but for their historical value — to answer the question, “Could you have a museum-worthy artifact hidden in your house?” The artifacts discovered or uncovered each week then “win” the opportunity to be included in a special exhibit at the National Geographic Museum in Washington, D.C., stated to be sometime in 2013 (though the exhibit does not yet appear on the museum’s calender— which, at the time I write this is scheduled through the end of April, 2013).

While the series has a game show element of competition, the focus appeared to be on the history and museum-worthy value of objects. Sure, there’s a $10,000 prize to with such an honor; but I fell for the idea of the recognition. What collector doesn’t want some validation? And, let’s be honest, a $10,000 cash prize for loaning an object to a museum seems a low price for objects deemed of such great historical value.

But then I watched the show.

Problems erupted everywhere.

Show hosts Curt Doussett and Kinga Philipps are literally talking heads with little, if any, experience in history, antiques, or collectibles. Sure, their enthusiasm is high; but their knowledge is obviously low.

When Phillips meets a couple with antique shaving mugs, she literally gushes and coos her ignorance. Who hasn’t heard of shaving mugs?! I think Old Spice still puts them out at holiday time. OK, maybe not everyone has heard of shaving mugs; but then not everyone hosts an antiques & collectibles history show either. And that’s my point.

And Doussette, who studied music composition and theory at Brigham Young University with the stated intention of becoming a master conductor, may have become overwhelmed with emotion at having the opportunity to fulfill his lifelong dream to conduct at the Milwaukee Symphony Orchestra (it was a cool, moving moment), but he continually over-estimates the importance, value, and condition of musical instruments. It’s all rather mind-boggling, really.

And it might be OK, these talking heads who are nearly empty-headed on the subject they are hosting, because there will be experts, right? Well…

Enter curator emeritus Chris Baruth from the University of Wisconsin, Milwaukee, who is the expert visited to authenticate and evaluate a walking stick from the 1893 World’s Fair held in Chicago which contains a map of the fairgrounds. Despite the cautionary comments of the woman who owns the antique walking stick, Baruth rips the fragile old map! And do make matters worse, you can hear Baruth (or perhaps it’s Doussett?) say, “Now what do we do?” While I tried not to cry (or was it faint), Baruth offers to tape it. Really?! Oh. My. Gawd. Thank heavens Doussett promises complete restoration to the owner. You can watch the catastrophe here:

How’s that for damaging your credibility as an expert?

But wait; like a set of Ginsu knives, America’s Lost Treasures has more!

Among the other objects selected as finalists and worthy of expert analysis are a piece of a Japanese Zero from the attack on Pearl Harbor, an antique campaign writing box from the 1700s believed to have been owned by Roger Sherman (the only person to sign each of the four major documents that built this nation: the Continental Association, the Declaration of Independence, the Articles of Confederation, and the Constitution), and Venetian glass mosaics depicting Christopher Columbus‘ “discovery” of America (eighteen feet by five feet panels built on six inches of concrete for the 1893 Chicago’s World’s Fair, presumed lost for at least 40 years).

The piece of metal from the WWII Japanese Zero plane was identified behind its frame and glass via webcam connection — something ludicrous, given the images we are shown of the webcam connection. There is no investigation of the owner’s story; his father’s story is taken virtually at face value. Meanwhile, the descendants of Roger Sherman don’t have it so easy; they don’t have the properly documented provenance of the item passing down the generations in wills and so are removed from the running. I guess one father’s story isn’t as good as another’s.

And at the end, perhaps the greatest injustice of all.

When the piece of WWII Japanese place goes up against the Venetian glass mosaics, the museum curator chooses —

The piece of plane.

I’ve nothing against recording WWII history, but this piece was poorly authenticated to begin with; plus there are museums dedicated to WWII (including the one in Hawaii which said they wanted the piece). And they opt for that instead of those incredible, humbling an huge, antique mosaics made of glass from Venetian glass that came from Murano, Italy; some no larger than a seed, some sandwiched with actual gold. Mosaics which not only have been presumed lost, but which would illuminate parts of history and art which many people know next to nothing about. And isn’t that a large part of what museums are supposed to do? Preserve as well as tell the stories of our past so that they are not forgotten?

That choice was an epic fail.

Gunar Gruenke (owner of the mosaics), I feel your pain. (You can visit the site and donate to help restore the mosaics.)

In many ways, it’s the Milwaukee episode which most encapsulates the train-wreck quality of America’s Lost Treasures. (In fact, the examples given here all come from that single episode!) If you can get through that one, and still find something fascinating to watch, then you’ll like this NatGeo series.

I myself can’t say I like it. I’ve watched three episodes so far, and I may watch more. But I’m pretty sure it’s for all the wrong reasons. …Well, maybe not “all” the reasons are wrong. I do like to see old objects, and learn what I can. But the more I watch this show, the more I feel like an expert. And I know that as a generalist in this business and hobby, that would be a rather silly thing to say. But apparently Shakespeare was right: “A fool thinks himself to be wise, but a wise man knows himself to be a fool.”

America’s Lost Treasures airs Wednesday nights at 9 pm ET/PT on the National Geographic Channel and is produced by Original Productions, a FremantleMedia Company.

Oddities: San Francisco – A Case Of East Village Meets West Coast Style

It was only a matter of time until Oddities had a spin-off; it’s hard to go anywhere in this business and not hear someone talking about the show, see the increased sales of “creepy”. But for fans of Loved To Death, who has had a great online presence for years (at least longer and, sadly, better than Obscura), the launch of Oddities: San Francisco seems overdue.

 

Like the original series on Discovery’s Science channel, Oddities: San Francisco focuses on the staff and customers of a shop selling old curiosities, medical and biological oddities, and the decadently obscure. The San Fransisco shop is located at the heart of Haight Street. It is owned and run by artist Audra Kunkle (center in photo), who makes the charmingly freaky taxidermy dioramas and jewelry in her upstairs studio. (Which, viewers will note, must be where she appears ascending from when another staff member calls her to the store.) Other Loved To Death staff on the show are goth model and “brainiac” Wednesday Mourning (left) and well-tattooed “stock boy” Korrie Sabatini (right).

If you haven’t noticed by now, these three look far more like the stereotypical “types of folks” who would make, buy, and sell this stuff. Or maybe they just look like stereotypical Californians? *wink*

It may not be entirely fair to compare the Oddities shows or staff… It somehow seems personal or negative. But that’s not my intention; and let’s face it, spin-offs are compared to the originals. In such a comparison, the new Oddities fares well. It captures the same interests and fascinations, yet is different enough, in staff and objects, to not seem like exactly the same thing. Both series are produced by Leftfield Pictures, so it’s not surprising the same successful formula would be used, right down to street and sideshow performances (and the rather annoying too-frequent recaps of stuff that happened in the same episode). In short, if you love the New York Oddities, you’ll love Oddities: San Fransisco.

Episodes of Oddities: San Francisco air, in back-to-back pairs, every Saturday night at 9PM ET/PT throughout the rest of the summer. I will be watching.

2011: The Year In Antiques & Collectibles

Antiques & Collectibles
Last year was an excellent year for collectors.

A plethora of television shows debuted on the subject, along the new seasons of the established favorites. I haven’t seem them all, but here are few mini-reviews of what I haven’t yet covered in full reviews here at Inherited Values:

It’s Worth What? managed to make it into the prime-time line-up at NBC in the summer. Though the horrible forced catch phrases were annoying, I really disliked the game show focus on monetary value. However, it should be stated, from a parenting and cultural point of view, that the money focus clearly illustrates our societal fascination with celebrity and luxury over history; food for significant thought.

History’s Real Deal has a concept I really like. Like Auction Kings, it shows the realities between estimate and actual prices realized at auction. This maybe it will, maybe it won’t, scenario is amplified against a backdrop of Las Vegas style gambling as deals for cold cash are negotiated as an attempt to avoid going to auction. However, Real Deal, even more than Auction Kings, suffers from a lack of cast or characters with enough quirk, drama or intensity to really hold interest.

Storage Wars spin-off, Storage Wars: Texas, seems to be holding up well. Perhaps the organic dynamic of rivalry in bidding, especially on camera, brings out a certain kind of person that makes the show work.

The popularity of collectibles and antiques in TV land is said to have “spawned an American collectible craze,” according to this article in USA Today:

Greg Dove of the National Flea Market Association, noting the reality-based programs have also helped level the playing field between serious collectors and the yard-sale set.

“It’s bringing in new faces, people from all economic strata,” says Dove. “We’re seeing more and more middle-class and upper-class folks coming to flea markets. Some are just curious, others are seeking collectibles and others are trying to stretch their dollar in a bad economy.”

Though no empirical data exist, Dove says the flea market industry, with estimated annual sales of $30 billion, has been energized by the renewed interest in antiques and collectibles.

I daresay this is also true for storage auctions.

The article continues:

Other venues are also benefiting from the uptick in demand for collectibles, however, namely online auction site eBay, which redefined the art of collecting when it went live in 1995.

In the third quarter of 2011, sales volume for its collectibles category reached $557 million, up 18% over the same three months in 2010, says Colin Sebastian, a senior analyst for Robert W. Baird & Co. asset management firm in San Francisco.

Its antiques and arts category posted sales of $263 million, up 17 percent over the third quarter last year; and coins and stamps hit $415 million, up 47% year-over-year (likely due to the skyrocketing price of gold.)

“It’s still a rough economy and I imagine there are still people trying to create some cash by selling things they have around the house,” says Sebastian, noting part of the category’s success stems from efforts by eBay to make its marketplace more appealing to buyers and sellers.

Those of us who have painfully been experiencing the snub of eBay’s nose regarding the lack of concern over the antiques and collectibles categories relish the numbers. Surely this will lead to better treatment, right? Don’t count on it.

Despite eBay’s own “Top Shopped” list for 2011 (a list, with an infographic, the company describes as “editorial in nature” and “focused on pop culture crazes”), eBay continues to move away from antiques and collectibles to it’s apparently preferred place as the Big Box Marketplace, catering to clients with contemporary inventory, big lots of identical new products, even if last year’s styles and lines. That’s not to say you can’t find a good deal there; it’s just that they are not going to focus on the needs of dealer and collectors of vintage and older items which are unique and certainly do have different requirements from the listing of multitudes of identical products.

I feel I must whine.

I just don’t understand eBay’s complete abandonment of what it was built upon: collectors and collectibles. We’re still here, in greater numbers even; why don’t you have our backs, want our bucks?

To illustrate my point, I draw your attention to this quote from eBay, Inc. covering the 2011 “Top Shopped” in more depth:

Retro Glamour: Between “Mad Men” and “Pan Am”, the small screen has never been so blessed with pitch perfect vintage style. And despite its mid-season cancellation, shoppers were still inspired by Pan Am, flocking to eBay to snatch up related items – 41,003 in total. Mad Men (30,378 related items sold) may have more seasons under its belt, but when it comes to memorabilia, the coolest fictional ad agency in the world can’t compete with the romanticism of 1960s air travel.

Clearly those seeking “retro glamour” want the actual iconic stuff from the past. (And, as a side note, Pan Am has not officially been cancelled… Fans like myself can hope!)

While eBay focused on pop culture, TIAS (The Internet Antique Shop) Hot List for 2011 focused on the old stuff. In this recap and interview with Phil Davies, you can see that vintage living and classic items for the home top the list.

All this seems to indicate that collecting is up and that collectors are looking for more places to buy their antiques and vintage collectibles — online and off. That tells us here at Inherited Values that we’ll need to focus more on helping you find the best places; so look for plenty of shopping reviews here in 2012.

Discovery, Show Us The Dirty Money

Dirty Money on Discovery

The Discovery Channel’s Dirty Money may seem like just another formulaic collecting reality TV show, complete with a cast of family members — but if you believe that, you’re wrong.

Sure, the show features brothers John and Jimmy DiResta, along with John’s son Matthew aka “Rat-Boy”, in pursuit of getting their junk on, dumpster diving & making deals in order to turn trash into treasure selling their fab finds and resurrected relics at Hell’s Kitchen Flea Market. And that may seem familiar — maybe even too familiar. But have you forgotten why you like to watch these shows?

Plus, Dirty Money has some aces up its sleeves…

First of all, the show starts with a bang. There’s a parental advisory which suggests that in order to avoid the not-for-kids language and humor on the show, adults should put their kids out in the car. It’s not that the show is wildly inappropriate or even overly risque, but the boys talk like, well, boys. And I happen to find them to be pretty funny. The show should be funny, for in researching to write this post I discovered that John is comic John DiResta, “the funniest human being that ever lived.” I like humor with my collecting, in case you hadn’t noticed. *wink*

Perhaps most importantly, Dirty Money succeeds where shows with promise, like American Restoration, Cash & Cari, and even Picker Sisters has failed: It realistically brings to life the joy of transforming vintage and found objects into something collectible and coveted.

The DiResta Boys

It’s not a true step-by-step “how to” show, but with an authentic creative builder in Jimmy DiResta, Dirty Money does focus more on the process and pitfalls of restoration, recycling and other projects. And in an affordable way, for both collector and creator. Examples: An antique Gramophone turns out not to be worth the money & effort to restore, but is revitalized as a beautiful decorative, functional, and affordable player any record lover would want. And a vintage kid’s bike, also not worthy of an authentic restoration, is turned into a chain-saw powered, Evel Knievel-esque bike.

Plus, Dirty Money shows the realities of what happens at flea markets, i.e., you don’t always get the money you’d like — but you will meet some great characters!

However, the best characters are the cast. It’s clear that the humor and antiquing skills are hereditary; they’ve got “the sickness,” the love of other people’s junk, from their father, who is known as the “Lord of the Fleas.” It’s not just a name. When John & Jimmy’s dad shows up at their flea market booth with a suitcase full of “chum” (smalls items for the boys to sell), the Lord of the Fleas then takes his now emptied suitcase out into the flea market to fill it back up again. I love it!

I wish Dirty Money had a regular set schedule. Not only does it make it hard to find an episode to watch, but such things lead to rumors that the show’s been cancelled. I hope the show lands a steady, stable spot on Discovery.

PS It should be noted that both brothers have another show on HGTV, Hammered With John & Jimmy DiRestia. Dirty Money is produced by Vidiots.

Cajun Pawn Stars: Spin-Off Or Rip-Off?

Cajun Pawn Stars

Last night, History debuted it’s latest collectibles reality television series, Cajun Pawn Stars, in the now familiar two back-to-back half-hour episode format. (I don’t know why these guys haven’t yet just committed to the full hour episode yet.) The commercials for the show made it seem like a blend of Pawn Stars and Oddities, seasoned with a dash of Swamp People. Is that what the show is really like?

After watching just the first two episodes, it’s clear this show is modeled after the wildly popular (and deservedly so) Pawn Stars. Set in the Silver Dollar Pawn & Jewelry Center, a well-established, 25 year old pawn shop located in Alexandria, Louisiana, Cajun Pawn Stars is also focused on three family members in this family-owned business: owner Jimmie “Big Daddy” DeRamus, Jimmie’s brother, Johnnie DeRamus, and Jimmie’s daughter, Tammie DeRamus. Here too are the trivia questions wrapped ’round the commercial breaks, the little facts and history notes in the corners, the outside experts brought in to authenticate and educate. Also part of the packaging and branding emulating the formula of success, the staff here wears matching polo shirts: Cajun Pawn Stars Purple, instead of Pawn Star Black.

It’s obvious that the producers of this new collecting show have realized that the audience is drawn to more than just the triad of ownership talent. Like Pawn Stars, which learned fast that Chum was a star and has been increasing the exposure of other staff members, Cajun Pawn Stars starts off right away including other pawn shop staff: Tina Journet, Fred (Yankee) Howell, Walt Piper, and Robie Friend. Like Oddities, the show also has realized the shop regulars are also likely to gain fans and followers, so Cajun Pawn Stars offers info on these folks who, it seems, will make semi-regular appearances on the show.

Of course, none of this is by accident or purely copying either; Cajun Pawn Stars is produced by Leftfield Pictures, which also produces Pawn Stars and Oddities. These folks know what they are doing. Which means if you like those shows, you should like Cajun Pawn Stars. I do. And, speaking frankly, Sunday night TV stinks; so this is most welcome!

The biggest “twist” involved in this spin-off seems to be organic to the pawn shop itself. A large part of their business includes animals, including farm animals, and the first two episodes featured a herd of donkeys as well as a pygmy goat. And gun laws are looser in Louisiana, so it seems gun lovers will see even more gun sales mixed in with the historical objects, pop culture artifacts (such as the first Jerry Lee Lewis recording from 1952), collectibles and other items.

I’ve only seen partial episodes of Swamp People, so I can’t say if there’s anything in common with that show besides location and accents; but, despite some mean-spirited shows, Cajun Pawn Stars doesn’t seem to be mocking the store, staff or residents — well, some of the regulars, perhaps… But not because of their location or any Southern-stereotype. These quirky guys seem to be aware of their humorous status. They are, as I say, a hoot and they know it. No harm done.

Overall, I’m looking forward to seeing more of Cajun Pawn Stars. It’s not a rip-off, but a well-done spin-off.

PS Note in the background, the Silver Dollar Pawn sign which features “Uncle” Pennybags, the guy from Monopoloy. I wonder how much that cost?

Last Minute Gifts For The Antique Lovers, Collectors & Genealogists On Your Holiday List

Vintage Christmas Tree Decorating

OK, so you waited around, hoping just the right thing was going to pop up at eBay or some other site, and now, as the shipping delivery window narrows, you’re starting to worry that all you can do is go with the obvious eBay gift card or get something lame. Gift certificates, from eBay, your local antique mall or online dealer, aren’t bad ideas. But here are a few other options you might wish to consider…

Gift Idea #1 Newspaper Archives is the largest online newspaper archive, with over 100 million pages, covering more than 400 years, from more than 10 countries — and growing! I know that as a collector and researcher, having an online database of old newspapers to search through is one of the most awesome things ever. Let me repeat that: One of the most awesome things ever.

This isn’t just a great gift idea for collectors, history nuts, or those obsessed with research; it’s a great tool for genealogists too. While genealogy sites offer lots of information, old newspapers help fill in more of the stories… Not just information on people and events, but it’s a great way to find photographs of buildings, family businesses, and other places long gone.

Gift Idea #2 Magazines, such as Antique Trader, The Magazine Antiques, and other collectible publications as well as genealogy magazines can still be subscribed to online at Amazon — and even though it may take 6 to 10 weeks for the first issue to arrive, you can have a gift notice sent to the recipient!

1.) Add the magazine to your cart,
2.) On the next page mark the “this will be a gift” box
3.) Enter your gift recipient’s address during the checkout process.
4.) After placing your order, look for the “Send Magazine Gift Notification” link on the order confirmation page, or go directly to the Magazine Subscription Manager to manage your gift subscriptions.

Gift Idea #3 Maybe you’ve already settled on a gift card, but aren’t sure how to present it? How about a nifty greeting card that’s also a bookmark? In My Book® is a line of 15 cards which are perforated, so tearing along the perforations changes the greeting card into a bookmark!

These novel gifts and cards in one are printed in Pennsylvania, shipped from Brooklyn, New York, and cost just $3.95 (plus shipping) each. (I’ve interviewed the creator, Robin Blum, here, having met her at the first annual Bookmark Collectors Virtual Convention.)

Related: Practical, Yet Thoughtful, Gifts & Stocking Stuffers For Collectors.

Image credits: Christmas tree in Sydney’s 2UW radio station, Christmas Eve, 1937; via.

New Vintage Reviews #9

New Vintage Reviews Carnival

Welcome to the ninth edition of the New Vintage Reviews carnival, where we review items normally considered “collectibles,” to encourage use of items as originally intended.

Books:

At Bucket List Media Miz parker reviews Beloved (1987) and I Know Why the Caged Bird Sings (1969) — along with a lot of other new and vintage titles.

At Layinda’s Blog, a review of I Capture the Castle (1949).

Over at Immortal Ephemera, Cliff reviews authorized biography Dwight Frye’s Last Laugh (1997).

Film & Television:

Vintage Rock ‘n’ Roll Examiner Steve Marinucci reviews the Rolling Stones film Some Girls (1978).

At Out Of The Past, Raquelle reviews Quincy M.E. (1976 to 1983).

Cliff reviews Werewolf of London (1935) at Immortal Ephemera.

At Penny Dreadful Vintage, a review of To Sir With Love (1967).

Music & Audio:

Bob Purse reviews his adventures in old reel-to-reel tapes over at WFMU’s Beware Of The Blog.

Casetta reviews Wire’s second album Chair Missing (1978) at Scratch, Pop & Hiss.

Etc.:

Here at Inherited Values, I review another new entry in the online marketplace sites, Yardsellr.

Honorable Mention:

While not a review, The Wealthy Canadian submitted something worthy of reading in Collecting Things: Are You Guilty?, saying, “This article discusses my experiences in collecting comic books and stamps over the course of my life.”

Please submit your reviews (or reviews you liked) of vintage books, films, games, records, etc. to be considered in future issues of New Vintage Reviews!  (And let me know if you’d like to host a future edition!)

A Review Of Yardsellr

Whatever your feelings on it, lots of people are creating places to compete with eBay. One of them is Yardsellr.

We believe people are natural-born buyers and sellers. In the tradition of neighborhood garage- and yard-sales, we make it easy for you to sell or buy whatever you want. Best of all, the buying and selling is done by regular people like you. That means you get great prices from folks you can trust within your network or within a friend’s network.

First of all, it isn’t “easy” because you have to commit to the place before you even know what it is all about as Yardsellr requires you to login with Facebook to use the joint. And that means, if you don’t use Facebook, they don’t want you as a member.

Secondly, don’t you already have access to people in your network? I mean you can already tell them, in person, on the phone, via Facebook, etc. that you are selling something? So what’s the point of using Yardsellr?

When you put something up for sale, Yardsellr will spread the word about your item within your online neighborhood: “blocks” of other Yardsellr-s who love what you love, and in the news feeds of millions of Yardsellr fans on Facebook. No matter where they are online, Yardsellr finds other folks who are buying what you are selling.

OK, so maybe the “blocks” idea is interesting… But finding blocks was not easy. I currently am a “block of one” for Fargo, North Dakota, ruling out the “ease” or working with my geographical neighbors. And navigating the site was not as useful as I would have liked, particularly because, like so many rummage sales, it’s easy to find piles of used baby clothes but not easy to find the antiques and vintage items.

Also, for collectors, a lot of what we sell isn’t what we want to buy; i.e., we bought the auction lot for the two books in the box, not the assorted glassware, so we keep the books, sell the glass. So you’ll have to be in a lot of blocks.

Interestingly, Yardsellr does not charge any fees for sellers — Yardsellr charges the buyer the fees, called the Yardsellr Slice. That’s quite a different shift in fee collecting. In exchange, buyers are given credits called Photon$; more on those in a minute.

For the buyer, Yardsellr is just as easy. Sites like Craigslist and eBay have become pretty crowded and hard to use. It’s tough to know who you can trust and even harder to find great deals from everyday people.

Umm, if you don’t actually know these people because they aren’t really in your network or even your geographical area, you are in the same boats as eBay and Craigslist.

As you can tell, I’m not a fan of the Yardsellr.

Even when they throw free money at you.

The “free money” is called Photon$. You can “find” or earn them by purchasing and by doing random things on the site.

Photon$ are like money that you can use to buy anything on Yardsellr! You can win Photon$ by taking certain actions on Yardsellr.com, like buying and commenting on listings. Look for the $ for opportunities to win Photon$.

It involves some sort of math, which I find confusing. And Photon$ cannot be used to pay the Yardsellr Slice. But worse than confusing, Photon$ are frustrating.

Photon$ have a “half-life” which means they will decay whenever you aren’t using them.

You lose Photon$ at a rate of 1 per second — logged in to the site or not. Which means even if you join and start searching the site intending to buy something, your “free $5 to spend” dwindles quickly. If you don’t start shopping immediately, the next time you login, you may have none. It rather sucks the “free” out of things, if not the fun.

I’m not the only one frustrated by the Photon$ program. There’s a long list of negative comments about them on the site. So you don’t have to join to see it, I’ve put a screen capture at the bottom of this post. (Click to enlarge and read.)

Overall, I don’t see any point to Yardsellr.

It’s confusing.
It’s frustrating.
If the point is to sell to people you know or in your network, just use the social networks you already have.
If the point is to sell and avoid shipping, sell on your own real world block or neighborhood by having a real yard sale or using Craigslist, eBay, Listia, or good old classified ads.

License To Pawn: Behind The Scenes Of Pawn Stars

When Hyperion, the publishers of License to Pawn: Deals, Steals, and My Life at the Gold & Silver (by Rick Harrison, of History’s Pawn Stars, and Tim Keown, a senior writer for ESPN The Magazine) offered me the chance to receive a review copy of the book, I jumped at it — I’m a huge fan of the show!

License To Pawn isn’t a “how to” in terms of opening or running a pawn shop, but the book contains more information on the business side of things than I had previously known or even thought of before; it takes a lot more than money to invest to enter and remain in the business.

License To Pawn isn’t a “how to” for collectors, dealers or buyers, but there are tips on how to negotiate, what affects the antiques and collectibles market, etc. Like the show, Rick bluntly lays down the realities.

Yes, there are stories about interesting objects (and persons) who come into the shop (most of the stories about objects are those already seen in show episodes), but that’s not what License To Pawn is really about either.

What License To Pawn really is, is the stories of the men behind the counters at the World Famous Gold & Silver Pawn Shop. And that’s far more entertaining and inspirational than even I, a huge fan, thought!

The book focuses on Rick, but even if Big Hoss, The Old Man, and Chumlee didn’t have their own individual chapters, which they do, each is included in Rick’s stories; it’s a family business, after all. However, Rick (even without my serious girl crush) remains the focus of the book.

While I am a fan of the show, I’m not one who stalks, even in terms of internet reading and media stories about celebrities so I had no idea that Rick suffered from epilepsy (grand mal seizures) as a child. This led to his belief that he wouldn’t survive to adulthood — and an eventual drug problem. But those seizures, which he eventually did outgrow, led to something else wonderful.

[The seizures] altered my life in nearly every way.  Whenever one hit, I would be out of school for as long as ten days. The muscle pulls were so painful and severe that ai could do nothing but lay in bed with ice packs on my hamstrings and quadriceps.

It was there, in that bed in our suburban home in the Mission Valley section of San Diego , that my life changed again. I couldn’t do anything. I couldn’t move more than a few inches without pain. I didn’t have a television in my room. Video games and iPads hadn’t been invented. I was left to my own devices.

So I read books.

A lot of books.

…I have a very analytical, mathematical, calculating mind. I know I’m not supposed to believe in things like karma. But certain things have happened in my life that can’t be explained by simple coincidence. How else can you explain the sequence of events and circumstances that led to me turning those bedridden hours — which should have been the worst hours of my life — into something that would provide a foundation for a life of curiosity and fun?

That’s what happened. That’s how profound the discovery of books was in my life. I didn’t like school, but I loved books. Reading has been the basis of just about everything that came after. In that bed, I fell in love not only with books but with knowledge. The experience tapped into something I might never have found without the trying circumstances that led up to it.  So much of the enjoyment I’ve gained from life has stemmed from a book — either researching some arcane item or reading to learn how to do something practical with my hands.

(Is there anything sexier than a man who loves to read — and research yet!)

And then there are the Horatio Alger-esque stories of each member of the Pawn Stars cast’s rise from humble backgrounds to lives of security and comfort through hard work and determination. Passion and skills into profit, yes; but even more than that, the stories in this book are about finding yourself even when you do your very best to get in your own way. Overcoming obstacles — internal and external — with responsibility for personal accountability, education, and a dedicated pursuit of goals. There’s even a “be careful what you wish for” story; now that the show’s made the cast and the store so popular, Rick can’t be out on the floor, doing what he loves. All things worth reading. Even if they weren’t mixed in with stories about antiques and collectibles — and the unique individuals who buy and sell them.

I only have two complaints about this book…

One, Hyperion is often noted for their “strike while the iron is hot” approach to publishing. This makes sense, but I couldn’t help but feel that this book would have benefited from at least one more round of editing; there were several awkward phrasings, etc., which would have been simple fixes to make the book a bit more polished. And I do mean editing — this is not a slight towards Rick or any of the Pawn Stars themselves (or even Keown); another pair of professional editor eyes would have caught the small problems. Something that bothered me more than a bit for Rick, the reader!

Two, my kids are a fan of this show and while I think there are incredible personal stories my children would benefit from reading, I don’t feel comfortable giving them the book to read due to one adult joke. While reading about prostitutes across the street is certainly less shocking than the plethora of police and crime shows on mainstream prime-time television (not to mention song lyrics on the radio), a joke about oral sex is a bit too much for me to feel comfortable letting the 11 year old read the book.

Overall, License To Pawn is easy to read, charms with great stories, and offers an entertaining look at the world of pawn shops as well as the cast of the show and the cast of characters and objects one is likely to find at pawn shops.  It’s definitely worth the read.

For another take on this book, check out Inherited Values semi-regular writer, Cliff Aliperti’s review.

As noted above, I received a free review copy from Hyperion; this did not affect my review or even guarantee publication of my review.

New Vintage Reviews Carnival

The New Vintage Reviews carnival, edition number eight, has been published. Even though I started the blog carnival, it’s been ages since I ran an edition; but I’m starting it up again — and the next edition will be posted here at Inherited Values on or around October 20 (2011).

Check it out — and submit your reviews (or reviews you liked) of vintage books, films, games, records, etc. here by October 15th to be considered in the next issue of New Vintage Reviews!

American Pickers Guide to Picking

American Pickers debuted on the History Channel last year and turned the wheeling and dealing of pickers Mike Wolfe and Frank Fritz into the biggest new cable television show of 2010. Mike and Frank, along with Danielle and author Libby Callaway, now bring their expertise on rusty gold and antiques dealing to your bookshelf in American Pickers Guide to Picking, released today by Hyperion.

The Guide is a no-nonsense book on the basics of the Pickers’ business model.   As shown on the show, Mike and Frank are antique and collectibles middle-men who try and find sources, usually collectors and original owners, to buy from in order to resell to antique dealers and collectors.  Aside from their dense Rolodex of existing sellers, the pair cold-call potential customers and mine other interesting ‘honey-holes’ for their wares.  After decades in the business, the Pickers have their business down to a science and this book breaks it down into its simplest components.  Picking is a specific facet of the antique and collectibles industry, and Guide to Picking does a good job of making the differences clear.  A picker is like a gold miner rather than a coin dealer; picking gets down and dirty with the abandoned or forgotten collectibles.

Although the book is full of anecdotes, it uses them as part of the teaching process.  It is fun to hear stories about Mike and Frank’s adventures, but the book sticks to business throughout.  I particularly like that anecdotes from the show assume you’ve seen the show, rather than repeating the entire story in the book.   From finding sources, to making the deal, to turning a profit by selling to a customer, the Guide gives tips and tricks for making the deals go as smoothly as possible.  It doesn’t promise making millionaires, though; they’re clear about the amount of work it takes and the amount of risk involved, so it may, possibly for the better, scare off people hoping for easy money.   The book comes right from the mouths of people doing the work every day, which makes it feel more trusted than a more traditional antique dealer guide.

The most approachable aspect of the book is that conversational tone, but this also contributes to the weakest part of the Guide.  As i mentioned above, the book cover credits four writers, and the acknowledgments thank several other contributors for their part.   Having a lot of cooks in the kitchen makes the Guide difficult to follow at some points, because the conversational tone uses a lot of “I” and “me” without being clear about who’s doing the speaking at the time.  This difficulty becomes more manageable once the reader gets a little ways into the book, so once that hump is over the Guide feels like sitting in a southern-Minnesota Perkins restaurant, eating a piece of the pie of the day and shooting the shit with two dusty guys who just got done climbing in the rafters of a slowly disintegrating barn.

Every antique dealer has their own business philosophy, a fact that the Guide addresses multiple times, but I have to say that the American Pickers Guide to Picking has a pretty firm grasp on the uncertainty and fluidity of antiques and collectibles dealing.   Much of the time, the book doesn’t just have the One Right Way to do things; each chapter covers a variety of options, based on benefits and drawbacks, to put in a toolbox of skills for making a go of the picking industry.   The last chapter, too, covers the future of picking — and the entire industry of collecting, by extension — by acknowledging the huge impact of the ever-changing internet and how the collectors of the future are the kids of today.

At a little over 200 pages, the Guide to Picking is an easy read, but it crams a lot of information into those pages.  A lot may feel old-hat to other antique dealers, but the personal voice makes it a fun read, in line with the tone of the show, and there might be something still to be learned hidden in the pages.   American Pickers Guide to Picking is a fun how-to book, full of tips and tales of the picking world, ready to make a picker out of anyone willing to pull on the gloves and get a little dirty.

 

American Pickers Guide to Picking
By Libby Callaway, with Mike Wolfe, Frank Fritz, and Danielle Colby
ISBN 978-1401324483
Approx 206 pages, 6″x9″ hardcover
Hyperion, 2011

Pickers Sisters

Picker Sisters On Lifetime

Last Tuesday, August 2, 2011, Picker Sisters aired on the Lifetime Television. (If you were confused by the ads showing American Pickers Mike Wolfe and Frank Fritz promoting the show on the History Channel, that’s because both Lifetime and History are part of A&E Television Networks — but that really didn’t help those who went to The History Channel on Tuesday night and, confused, wondered why the TV promos weren’t as clear as they could have been.)

The show’s premise is that best friends and interior designers, Tracy Hutson and Tanya McQueen (of ABC’s Extreme Makeover: Home EditionPicker Sisters has the same producer, RelativityREAL) are on the hunt for what Wolfe and Fritz would call “farm fresh rusty gold” to turn into “stunning pieces for their Los Angeles home decor pop-up shop.”

[I don’t want to start any rumors, but I can’t find a single reference to this shop… Or where it ever pops up. Establishing shots in show episodes feature the store front with a sign that indicates the shop is named I-10. But not only did searches find nothing, neither are there details or links at Hutson’s offical site, the official Facebook page, Tanya McQueen’s Twitter, the official Hutson-McQueen blog, etc.]

Alan Luxmore, Tracy Hutson, and Tanya McQueen

To assist the designers in the creative process, there’s a third cast member, contractor, Alan Luxmore, himself with connections to Extreme Makeover and previous host of A&E’s Fix This Yard.

Despite early complaints or fears (primarily based on the American Pickers‘ promos) that Picker Sisters was going to emphasize pretty women (including the use of short-shorts and other feminine charms in order to get deals), I was looking forward to the show. Like Cash & Cari, I was hoping this series would emphasize decorating both in terms of objects and projects; much like Cash & Cari, I was to be disappointed.  As with Cash & Cari, I was hoping we’d not only have the Picker Sisters show us what they transformed, but how it was done. But it misses that mark.

Since the success of these collecting shows is partially dependent on the personality of the cast, it bears mentioning that Hutson and McQueen come across as Valley Girls meet former professional NFL cheerleaders; perhaps a bit to bubbly and hair-twirly for most of us. (And those 80’s headbands only emphasis it.)

I don’t want to bash these beauties for how they look; that would be as wrong as saying someone isn’t good-looking enough to be on TV. But there are practical matters here…

Those of us willing to pick on farms, through old industrial items, etc., we don’t only have work gloves, we wear jeans or long pants to protect our legs — no matter how fab our legs look in short shorts.  I get that they are on camera, but aren’t they annoyed enough by their own Farrah Fawcett locks, blowing into their eyes, sticking to the sweat on their necks, to put it up in a ponytail or something? I’m less worried about two grown women — complete with camera crew — getting hurt heading off with strange men than I am about cuts, infections and diseases from stumbling about improperly dressed in places where tetanus and hantaviruses make excellent bedfellows.

As I mentioned, I feel that Luxmore‘s work is slighted… But perhaps that’s because he’s an actor playing a character role.  In the few scenes Luxmore is in, he plays the frustrated “daddy” to the two little girls on the road, ominous about projects, money spent, design ideas. Worse, he’s shown working while appearing straight out of some Gap ad or GQ photo-shoot, his black sleeveless muscle shirt taunt across his chest, tightly and neatly tucked into crisp belted green khakis. If he’s a master of the 100 hour build, why is he playing a stock masculine character, one part beefcake one part paternal male disapproving of his errant shopping sex kittens?

Like his female cast members, Luxmore ought to dress for the work at hand. We’ll notice he’s handsome, anyway, I promise.

Overall, the show feels far more Hollywood glossy than “unscripted” (the new word for reality shows). While this may appeal to a certain part of the television audience, I feel it’s a disservice to the cast — showing them more as pretty and, due to the lack of “reality,” more bumbling than the educated and experienced people they are. Coupled with the absence of any shop or announcements of where it will appear, the pretty posing makes me feel the shop is simply a premise. Television does blur with tinsel town, you know, so it all feels too glossy, too fake…

Tracy Hutson & Tanya McQueen On The Road

Perhaps we’re supposed to enjoy the fashionista-fish out of water thing… But McQueen, Hutson and Luxmore are build and design heavyweights, so maybe they should have left them a little more raw and saved all the polishing for the finished project pieces.

That said, there are good things in the show…

There’s less of a monetary focus on the show; though that could simply be due to the too-small price / sold graphics.

And it is fun to see the before and afters — even if it is at sacrificing how it’s done.  I consider myself a creative person, a visual person with an eye for seeing the potential in “junk” and I’m not bored with what I’ve seen so far — far from it, I’m inspired by all the repurposing of industrial items!

I won’t be glued to episodes, but I will watch more of Picker Sisters. Even if I am hoping the show format itself will undergo a transformation of it’s own.

PS Because Lifetime quickly signed on for a seven-part, one-hour series (originally entitled To Live and Buy), I’m not sure we’ll see any changes in Picker Sisters; the slick format’s likely set.

PPS Check out the comments below for more & updates!

Tintypes, The History Of Photography & Antique Painted Photographic Backgrounds

Have you ever thought about the painted backgrounds in antique and vintage photographs?

No?  Me neither.

Not until I read The Painted Backdrop: Behind the Sitter in American Tintype Photography, by Jim Linderman (with an essay by Kate Bloomquist), that is.

In fact, the story of and between 19th century painters and American photography really has never been told — or, I should say, “hasn’t been explored” until Linderman came along and looked into it via his collection of antique tintype photographs.

If you’re curious now, if you collect antique tintypes, are a collector of photographs and/or cameras, are an artist or have other interest in photographic history, I can’t recommend this book enough.

Technology, commerce, art, and culture collide at a crossroads, supposed “forward progress” exposing values, leaving the role of art and artists themselves as question marks…

My full review of the book is here — and my exclusive interview with the author is here.

Image credits: Jim Linderman

Listia Auctions: Your New Addiction

If you haven’t already heard of Listia, let me introduce you to your next obsession.

Listia is a relatively new kind of online auction site — where you bid on other people’s stuff using credits instead of real money.

We make it easy for you to give away stuff you don’t need anymore and get stuff you want in return for free. If you enjoy giving and getting items for free, then you’ll love Listia!

The premise is simple: you list the stuff you don’t want anymore and use the site credits you received from your auctions to buy items from others. And, yes, there are antiques and vintage collectibles at Listia!

This marketplace has a wide variety of items, which means if you collect vintage books but find yourself with unwanted modern paperbacks in that box lot you purchased, you can sell those unwanted paperbacks and use the credits to buy vintage copies — or craft items, or whatever you want.  Most items have free shipping, but those that do require shipping (charges are stated up front), you and the seller arrange payment for — which means you are not held hostage to any payment methods Listia wants.  And there are no listing fees. None. Though there are options for perks, paid with credits, if you’re interested in such things.  I, and most sellers, don’t find them necessary. (But when I get offered a free chance to use them, I take them!)

Along with receiving credits for selling, you also get credits when signing up, for referring friends, and occasionally bonus credits at “random” for doing simple things like visiting the site, listing auctions, bidding, commenting, leaving feedback, etc.

To some, the idea of commerce based on artificial currency seems odd… It’s one thing when using play money in a game or achieving credits in gaming, but using it for tangible goods, for collectibles, seems odd. Or at least less reliable. But Listia thought of that too and uses community and badges to keep things real and safe for commerce. Members can earn badges for validating their accounts, flagging fraud, leaving and receiving feedback, and for other site participation. And money isn’t so different from Listia site credits; it’s just an agreed upon transaction currency.

What’s addictive about Listia, aside from the offerings, is that it’s a more pure form of trading — the credits keep you on budget. You can’t bid (or get the instant gratification of using the Get It Now set price items) unless you have the credits in your account. Ideally, this is how your real world bank account works too *wink* But we all know how easy opting for plastic is… Instead, the premise behind Listia’s marketplace is that you need to sell stuff to get the credits to buy more stuff. This keeps the eye on the physical space issues as well as the finances.

But, if you can’t stay within your budget — especially in the beginning, when you’re waiting for your auctions to bring in your credits — you can get credits by flat-out purchasing them or “earning” them by participating in “special offers.”

I personally dislike the “special offers” route; but the pure paying for credits option brings up the issue of value…

Since credits can be purchased, each credit is worth between three and ten cents a piece. That’s useful to consider not only in terms of bidding (especially if you’re buying credit points), but in terms of pricing your Get It Now listings and auction start prices.  I keep that in mind when listing my items.

Would I be better off listing on eBay or selling in some other marketplace for cash?  Sometimes, sure. But then I wouldn’t have the credits to spend on the goodies I find at Listia. (And I’ve found a great number of things I covet there!)  Sure, I could buy them, but not only does that seem less financially prudent (because some people bid as if the credits have no value and bid really high), but it also seems to miss the real purpose of the game: sell in order to buy.  It makes the thrill of the hunt even more challenging for this collector to stay within the confines of that concept.

Joining Listia is free; and if you’re a Facebook member, you can join with one click.

HGTV’s Cash & Cari

When I first heard about HGTV’s Cash and Cari, I got a little excited thinking this show might focus more on decorative collectibles, plus offer a splash of do-it-yourself (DIY) home decor creativity. While the show has all that potential, I really was disappointed.

Cash and Cari (Cari is not pronounced like “carry,” but like “car” with an “e” on the end, so it’s not quite the pun your eyes expect) follows the work of “estate sale guru” Cari Cucksey of Michigan’s RePurpose Estate Services.

If you like watching how to set up an estate or rummage sale, then maybe you’ll like this. However, for me, the show lost points when it dropped a standard part of the collectible shows format: the visit with the expert or in depth look at a few items. I realize this part of the show’s time was given to the DIY component — and that was something I was looking forward to; but in this particular episode this segment infuriated me.

In this debut episode, Cari purchases an older used bench for $40 and has a staff member give it “an impressive makeover.” The makeover consisted of repainting the bench, removing the older upholstered seat, and replacing it with new fabric — sewing a decorative throw pillow to match. However, the new “upholstery” job was terrible.

The fabric was staple-gunned in place and the staples hidden from view by hot-glue-gunning some sort of open-weave rick-rack lace over it. Use of a glue gun on the seat of a bench in place is anything but quality. (The dried glue will be lumpy, visible, and likely to peel away if the object has any use whatsoever ; it’s not appropriate for furniture or seating or anything besides the purely decorative.) Anything but quality and certainly not worth, in my opinion, the $300 they proposed to sell it for. Normally I don’t like to argue the price someone gets for something; different location alone can create marked price differentials. But this bench was really a shoddy DIY job and not fit for an audience of antiques and vintage collectibles fans.

Collectors of antiques are looking for quality.

Plus, the item was to be sold at “the shop,” and it kind of makes you wonder how the bench will be presented there… As an antique or vintage piece, or as a quickly made home decor piece? It’s the sort of thing an experienced collector wouldn’t be fooled by, but it’s also the sort of thing, like reproductions offered for sale, that most collectors want to know are properly represented so that no one feels tricked. No mention of this — after such a cheap makeover, weakens Cari’s credibility.

Yes, I watch a lott of the collectibles shows, and I did consider how potential “burn out” might be coloring my thoughts about Cash and Cari; but I don’t think that’s it (see my post about Oddities).

Where Cash and Cari suffers is a lack of focus on what makes the other shows great (personalities and drama of “cast,” information segments, &/or presentation of values of items) and a complete fumbling of the potentially fabulous DIY segment.

In trying to be kind, I wished HGTV had, as many of the other networks have, given us more than one episode to watch so that I could see if another episode could make me a fan… But then I realized HGTV thought this episode was strong enough to be the series lean-in and if that was their best foot forward, I don’t think I’ll watch another episode.

Discover(y) The Oddities

You might just think I’d be tired of watching and reviewing all these antique and collectible TV shows — so tired of them, in fact, that I’d be dreading yet one more. But if that’s what you were thinking, you’d be wrong; Discovery Channel’s Oddities has become a favorite “can’t miss” in terms of my television viewing.

On Oddities, we watch the on-goings of the owners (Evan Michelson and Mike Zohn) and staff (Ryan Matthew and Ersan, intern aka The Cerd) of Obscura Antiques and Oddities, a shop located on New York City’s East Village, dedicated to “the weird world of strange and extraordinary science artifacts.” Here you’ll find the more eclectic and shall we say less mainstream antiques and collectibles, such as antique medical devices, anatomical art, sideshow relic taxidermy.

Some of my personal highlights:

An ancient Egyptian mummy hand — which is notable alone for the one time in one of these shows I’ve seen the expert put on gloves. Plus, we hear from that museum professional that his coworker actually has a taste test for authenticating mummies; too bad she wasn’t around that day. But even if it is authentic, is it legal to sell? …Oh, now that’s another interesting turn.

Rachel Betty Case brought her “human ivory” artwork — made from human fingernails (well, and toenails, and pet nail clippings); which I found fascinatingly beautiful.

A guy who wants a bug to scare his wife with; another man who wants the perfect creepy dental gift for his retiring dentist friend.

I’m not sure I even want a two-headed cow or four-footed chicken taxidermy piece… But if I did, I now know better how to tell if such a thing is due to an animal with an authentic genetic defect and not some fake.

And Laura Flook, embalmer turned model come fashion designer. Yup, you read that right. Flook is at Obscura looking for a mortuary table for her fashion shoots. As Ryan says, “One interesting thing about Laura is her devotion to art whether it’s a mortician, model or a clothing designer.” So devoted, yet this designer of clothing inspired by Victorian-era mourning wear is dreamily flabbergasted when she returns to Obscura in another episode to discover corsets. Admittedly, one of the medical corsets is not the normal corsetry that springs to mind; but she buys one that I’ve got in my own collection. This Flook is fascinating to me… The way she talks, everything. I hope she returns in future episodes.

Along the way there are also various circus performers (sword swallower, escape artist, etc.), theatre folk (an unusual playwright, a performer who uses blood to increase the drama), and some more mainstream celebrities (not unusual given the name dropping at the Discovery Channel’s site).

Oh, and yeah, there are the collectibles too. From horrifying medical implements to medical quackery devices, from odd little vintage toys and masks to coffins (cradle to grave, I tell you!), and other assorted (or is that a-sordid?) pieces of history.

Another great feature of this show is it’s ability to leave the shop.  It’s because of that we not only see the great lengths the staff goes to in order to procure an object for a collector, but we see the fabulously odd collections of others.  That’s something missing from most of these shows.

But with this Oddities, you definitely come for the surprises. Even if you come for the antiques and collectibles, you’ll find your intrigued by a lot more; and that’s a surprise too, right?

Because the items themselves are more dramatic, the majority of clientele themselves more interesting, there’s no need for the cast to be fraught with personality dramas, or for the show to bilk the monetary value. (Honestly, this is one area where the prices seem too low to me; the items are that, well, obscure!) So while this is part of the same genre of collectibles programming, it’s not quite the same trite formula. And it’s done absolutely right.

Oddities can be seen on Thursdays at 10:30 p.m. E/P on the Discovery Channel and also on its sister channel, the Science Channel, Wednesdays at 9 & 9:30 PM E/P. Join me in watching it — at least once!

Antiques & Collectibles Shows On TLC, Maybe

The Learning Channel (TLC) dips its programming toes in the antiques and collectibles TV show waters — very tentatively.

The first try was Pawn Queens, a show not listed anywhere on the TLC website.

Pawn Queens follows the activities of Tom Brunzelle, Greg Holloway, Nikki Ruehl, and Minda Grabiec as they run the Naperville, Illinois, Jewelry & Loan. Since the pawn and resale shop tries to attract mainly female customers, the focus of the show is Nikki Ruehl and Minda Grabiec.

The first two trial episodes focused on the blunders of their business — a misplaced $9,000 diamond ring, not enough cash on hand to purchase a vintage Barbie, and, my favorite, when two of the partners clash over the purchase of an antique stove which needs a lot of restoration. (What made it my favorite was that Tom and Minda bicker like an old married couple; Tom’s purchase and beautiful professional restoration “wins” in terms of eventually satisfying Minda, but we never do see the stove sell so…)

At TV By The Numbers, where the press release for the show was published, there are many negative comments. Most of the comments are, in my opinion, extremely sexist. Not just the obvious comments on breasts, but the comparisons to Pawn Stars (of which I am a fan) are clearly filled with heated testosterone.

Even the more serious complaints at other sites of improper use of diamond testers and jewelers loupes are rather ridiculous — this is television! When have you ever seen any cast member or expert on any of the plethora of antiques and collectibles shows even put on a pair of archival gloves when handling fragile old documents? Grrr!

And, yeah, I think they (eventually) did over-pay for the Barbie; but then I don’t sell in the Illinois market.  I’m always rather struck by prices on these shows from California and Las Vegas which suggest prices we dealers can’t fathom here in Fargo — but that, long with the mistakes made and rare finds, are rather part of why I’m entertained and, somewhat, educated by these collectibles shows.

I saw the first two episodes of Pawn Queens and rather liked them; but after frantically searching for more, I couldn’t find any… The show isn’t listed at the production company’ website either, so I suspect it has been canceled.

However, in searching the channel guide so often, I found TLC’s second try, What The Sell?!

What The Sell?! isn’t only TLC’s return to antiques and collectibles television — it’s another return to Illinois and, for the jaded, a return to the reality show Pawn Stars format of three generations running a business.

In this show, the action is focused on Kate Martin (the daughter), Judy Martin (Kate’s mother), and Gloria Moroni (Kate’s grandmother), the owners and appraisers of The Perfect Thing, an upscale consignment boutique in Wheaton, IL. That means more antiques, art, and decorative pieces than in many of the other shows which seem so male focused.

As you might guess, there are the usual family frictions, such as when Daughter doesn’t listen to Mom when having a chair reupholstered, and the usual dickering — including among the ladies for who has the right to purchase and take home a favored item. And lots of giggling when Grandma is the only one mature enough to discuss the 1920s tin of condoms found inside a Flapper’s purse.

I’ve only seen one and a half episodes of this new(ish) show, but it holds some interest.

What The Sell?! barely has a mark on the TLC website; just a few episodes listed on the schedule — which is more than Pawn Queens has, but still, that’s not too promising…

My only real comment is that TLC ought to commit to antiques and collectibles programming, give us a chance to find new shows — especially in a busy holiday season.

Auction Hunters On Spike

Spike TV enters the antiques and collectibles television programing fray with Auction Hunters.

Similar to Storage Wars, this show’s action is focused on the bidding, buying and selling of the content of storage units; unlike Storage Wars, the show has a much stronger focus on antiques and collectibles, and only follows two men.

The two men are Clinton “Ton” Jones and Allen Haff, partners in their quest to win auctions.

The fact that these men are partners gives the show a camaraderie — more like the ribbing on American Pickers than the very macho male competition on Storage Wars.

Auction Hunters is also much more frank about educating you, the viewer, on how to evaluate storage units. There are tips on what to bring, how to spot a “good locker,” and they even show you more of the work and expense involved in restoring things before they’re flipped for profit.

The first season’s nearly over for this TV series; the season finale is scheduled for Tuesday, December 21, at 10/9 PM.  Initially, I had a very difficult time finding the show on at a time I was able to watch; but when one episode is on, there’s usually a block or marathon of them, so you can likely find some time to watch a few episodes back to back.  And I highly recommend that you do.

Storage Wars

A&E enters, sort of, the growing number of collecting shows with Storage Wars.

Billed as “the new original real-life series” (apparently so as not to be confused with “reality shows”), the show follows four professionals who attend auctions to bid on and buy the contents of repossessed storage units auctioned off by Dan and Laura Dotson.

In some ways, it’s not fair to call it a television show for collectors. The four main cast members lead their teams to buy, and then later sell, the contents of storage units; the buyers are simply there for the profits, whether the storage unit contains antiques and collectibles or not. But, like many of the other shows I’ve been reviewing here at Inherited Values, there’s something for many collectors to identify with.  …And that thing is the addictive gambling part of it all.

Darrell Sheets, “The Gambler,” talks about this, naturally enough. He talks about the The Wow Factor. The big scores. Like the four Picassos and the world’s most lucrative comic book collection that he’s scored through storage auctions. And how those finds keep him coming back for more.

Even if you’re a collector who’s not planning on selling, you have to admit you know the thrills of finding something in a stack of what others might call nothing. And how you’re rather addicted to it too.

Only on Storage Wars, it’s not only finding an antique needle in a haystack of used stuff — it’s far more of an intense rush.

In these storage units here are some collectibles (modern space-age furniture, baseball cards, German Micro-cars), but really, no body knows what they will find… Used clothes (awesome when they were the personal property of Suge Knight; not so much when it’s the average non-storage-unit-rent-paying Joe), restaurant equipment, knock-off jewelry — endless, really. And, again, no one knows what they’ll all get.

Because there’s something unique to this sort of auction: there’s no preview time.

Buyers are limited to only looking through the doorway of the storage locker to spot and guess at the contents. They may not open any boxes until/unless they have won the auction. But once the auction ends, another is about to start, so the winner doesn’t waste time looking at what he’s won; he puts his own lock on the unit and moves onto the next storage unit up for auction. He takes another gamble.

This limited ability to see inside, amazingly, prompts Barry Weiss, “The Collector,” to show up at the next auction with stilts (to see what may be hiding in the back of the storage locker), night-vision goggles (to see in the darkness), and his “secret weapon,” a little person named Jay, to assist with spotting.

I don’t know whether to applaud or cringe at the levels lengths Weiss will go to.

This not-knowing alone amps up the auction adrenaline of the show. And then Storage Wars builds on it. Unlike other shows which start with the objects and reveal the price, on Storage Wars the action starts with the nearly blind auction action, moves towards the reveal of the items themselves, then their values — including the obligatory meetings with experts to help appraise (and I think we can assume those experts might handle some of the resale transactions too).

Somewhat misleading is the evaluation of the episode’s Winner. The price of the unit is compared to the resale value of the items inside (or at least the biggest ticket items). However, some of the teams clearly have a much higher over-head; more trucks, more employees, etc. So without an accounting of actual profits, I don’t know how far that final evaluation is.

Dave Hester, “The Mogul,” has the largest overhead. He also has the deepest pockets — but that doesn’t make him magic. He, like everyone else, is still at the mercy of what he sees, what he knows, and what he can sell for profit. We witness him get burned on an organ; but he redeems himself with profits on the rest of the unit’s contents.

The guys may not always seem so likable; they are profiting off of the repossessed belongings of others and they are often impatient, if not rude, even when they are dealing with experts who are not their competition.  But this isn’t a Miss Congeniality competition; this is business. Something that’s made quite explicit when we meet Jarrod Schulz, “The Young Gun.”

Schulz isn’t only the buyer with the least experience; he’s the more intuitive and/or impulsive buyer.  He says he needs to find a storage unit “that feels good to me.” So far, he hasn’t won a lot “storage wars,” something that worries Brandi, his wife and co-owner of his shop, the Now & Then Second Hand Store.  Even if he doesn’t win the “wars,” he’s supposed to be out finding inventory to turn for a profit at the shop; but, well, sometimes what he buys are flops.

This prompts Brandi to join her husband at an auction where she sees first-hand his spontaneous and even sentimental bidding.  Most of the other buyers eschew this particular unit because it’s just a bunch of boxes, but “The Young Gun” has to bid. “I see mystyery in there; I’ve got to see what’s in the rest of the unit.” He places the winning bid, much to the chagrin of Brandi. Did I say chagrin? She’s actually furious.

And she’s right; the highlight of this storage unit is a fake designer watch.

I don’t mention this to pick on Jarrod — or even to defend Brandi from those, like A&E, who call her “hard-nosed, sharp-tongued.” (Why is the wife always to blame?)  I mention this  because he, Brandi, and the rest of the cast are characters. Not only characters on Storage Wars, but the kind of folks you’ll find at any auction or flea market. Or family dinner, for that matter. *wink*

Storage Wars can be seen Wednesdays, 10/9C, on A&E.