Polly Dolly (Or, Of Boys & Dolls)

I don’t write about dolls here much because I write about them for Diane’s Doll Hospital. In January, I wrote this piece for their newsletter; but since it was such a personal story, they graciously gave me permission to publish it here.

In 1972, the Ms. Foundation for Women produced Free to Be… You and Me, an illustrated book and record album set. Initiated by Marlo Thomas, the mission of the Free to Be… You and Me project was to provide healthy messages refuting and rejecting gender stereotypes while encouraging the positive and empowering post-1960s ideas of gender equality, individuality, comfort with one’s identity, and tolerance. Using her celebrity clout, Marlo Thomas got a number of her celebrity friends to create, write, and perform the modern day lessons to children in song and story form. No doubt the hope was that the parents and other adults in children’s lives were listening — and learning — too.

Just two years later, in March of 1974, ABC aired the Free to Be… You and Me television special. The TV special also had the celebrity cast of singers, performers, and narrators, known as Marlo Thomas and Friends. For the special, the LP tracks were often produced with animated cartoon visuals, designed to capture the attention of children who were used to being fed a steady diet of Saturday morning cartoons. (By this time, Schoolhouse Rock! was already seeing great success with its educational animation work.) A number of the segments from this TV special were also reformatted for educational use in schools, including audio-visual materials such as filmstrips. As a result of this heavy media saturation, many adults today readily remember Free to Be… You and Me. In fact, the principles behind Free to Be… You and Me combined with the nostalgia continue to drive the foundation and push sales; the record has remained in print all this time (as well as put onto CD) and a newly remastered version of the television special was released on DVD in 2010.

Among the most memorable and iconic Free to Be… You and Me stories was William Wants A Doll, based upon Charlotte Zolotow’s children’s picture book William’s Doll (1972). The animated TV version of William Wants A Doll, performed by Alan Alda and Marlo Thomas, was about a little boy who really, really wanted a doll. But William’s desire for a baby doll wasn’t encouraged.

william wants a doll

His friends told him not to be a “sissy”. His brother said not to be a “jerk”. His father tried to distract William with more manly toys, giving his son a basketball, a baseball glove, and other sports items as gifts. But none of this deterred William. In spite of all the mocking and manipulation, he still wanted a doll.

Eventually, William’s understanding grandmother gets William a doll! The boy is elated!

william and his doll

But William’s father is concerned by the gift, and it’s up to the grandmother to explain that it’s OK. After all, William just wants to love and care for a doll — and that’s how he will learn care for his own baby “as every good father should do”.

William’s lesson of boys and dolls was given over three decades ago. Since then, many studies have been done and many articles have been written. Over and over again they indicate that dolls are perfectly fine toys for boys. But still, the social pressure of “the boy code” persists so strongly that many people today remain shocked that little boys would like to play with dolls. Or that grown men would collect dolls. Thanks heavens for all the boys and men who ignored those people and just continued to love dolls!

[Break]

I was just 10 years old when William Wants A Doll hit television and I still remember it vividly. Not just for the whiny and grating (yet somehow infections) chorus of “A doll, a doll, William wants a doll”. (It is quite catchy!) Nor for the hoards of kids who sang it, matching the whiny and grating sound with mocking and contemptuous sneers. What made William Wants A Doll so memorable then was the shock I received seeing and hearing it — I was flabbergasted that it even existed.

How could the idea of a boy loving a doll even be “a thing” — let alone a thing so big that there had to be a counter-movement against it?

Now, you might say that I was a wise and accepting kid. Or that all kids are wise and accepting, at least until someone teaches them not to be. Or maybe you think I was just naive. …It is true that I didn’t have any brothers, so what did I know of male gender roles and doll troubles? But the truth is, I knew a little boy who had a doll — or, I should say, I knew of a little boy who’d had a doll growing up. That boy was now a man. And that man was my father.

This is my father, Dean, with his doll, Polly. Actually, to the family she is known as Polly Dolly.

deanwithpollydolly

Though Polly Dolly bears no marks for maker or origin, she is likely a German-made, soft-bodied, composition doll.

We aren’t sure exactly when Polly Dolly was made; but we do know that she was really born the day she was given to my dad and he christened her “Polly Dolly”. Not that my dad remembers that day. As far back as his memory goes, there’s always been a Polly Dolly. The best he can guess is that he was given the doll when he was about three years old. Since my father was born in 1942, that would be about 1945.

It was during those years that America, like most of the world, was involved in WWII. Even if you had a lot of money (and his family didn’t), toys were quite rare due to wartime rations. Now, as an adult, my father believes that Polly Dolly was a secondhand doll, likely given to his mother by a neighbor or family friend. Not that it mattered to the three year old boy. It was a toy — and it was his, all his!

At least for the next few years.

You see, my dad has a younger sister. Being three years his junior, her arrival was around the same time as Polly Dolly’s. That’s probably not a coincidence. More than likely, news that a baby was on the way was what motivated someone to give the doll away. Here was a little boy who needed to learn how to be gentle with a real baby coming into the house; some wise and generous person know a doll was in order!

Baby sister grew. And young Dean learned to share. First, he had to learn to share the bedroom he already shared with his grandmother. And then, he had to learn to share Polly Dolly too.

One day, when my dad was about seven or eight, his mother took his little sister on a walk down the block to the park — and his sister insisted upon taking Polly Dolly along. But when mother and daughter came back from the park, little Dean discovered that his sister had left Polly Dolly there!

Being that she was so little, it was up to Dean to go back to the park and get the doll. He was furious! This was more than just some annoying thing a big brother had to do to help his little sister; this was her mistake, and she should fix it. This was inexcusable! It was one thing to walk down the block to the park and let his pals see him running errands for his sister — but it was something else to be seen carrying a doll! Remember, this was 1949-1950, or so. Boys didn’t play with dolls. Teddy bears? Sure. But a doll for a guy was different. Heck, G.I. Joe hadn’t even been invented yet! (Not to mention, as my husband and all the other men in my life remind me all the time, G.I. Joe is an “action figure”, not a “doll”). Little seven or eight year old Dean did not want to be seen carrying a doll!

But — it was his beloved Polly Dolly; he had to go get her!

No one else was going to do it; it was up to him.

So young Dean waited as long as he possibly could before he went to rescue Polly Dolly. He figured the later it was, the less of his friends there would be at the park to see him fetch the doll. I obviously wasn’t there that night, but, as a parent myself now, I know the boyhood version of my father had to have a knot in his stomach waiting as he did, worrying with every passing minute whether Polly Dolly would be there… The longer he waited, the greater the risk that someone else could take her or break her… Was the potential embarrassment worth such a risk? What a gamble it all was!

I envision my father as a boy venturing out on Operation Rescue Polly Dolly… I picture him sticking to the lengthening shadows as much as possible to hide his face — his flushing, sweating, anxious face. I imagine his joy when he spots his doll, safe and sound, at the park… Perhaps some tears spring to his eyes; one part relief, another part shame at having risked, for the sake of his boyish pride, never seeing his friend again. I see him scooping Polly Dolly up and turning quickly to make that uncomfortable run home, still trying not to be spotted by any of his friends, as his emotions twist and turn into anger at his sister once again.  And how he ends up at home, winded and spent, just glad to be able to return Polly Dolly to her proper place in his bedroom.

So you see, even at 10 years old, I didn’t need William Wants A Doll to tell me that boys can love dolls. Nor today do I need a bunch of studies or articles to tell me how boys who play with dolls grow-up to become nurturing parents and caregivers. I’ve always had my dad to show me those things.

dean with polly dolly

[Break]

As you can see, Polly Dolly has seen better days. Or, as we learned in The Velveteen Rabbit, Polly Dolly has been made Real by someone who REALLY loves her. Like the Skin Horse in the book explained, “These things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.” And we all understand.

Along with the damages to her pretty face and head, Polly Dolly also has some issues with her fingers and is completely missing her toes.

polly dolly vintage composition doll

back of polly dolly's head

composition doll's hand

momma crier doll hole

And there’s a hole punched through the fabric on her soft body, exposing that she once was a mama crier doll (though my father never recalls her having made any noise; the crier was likely damaged before he ever got her).

…OK, Polly Dolly may be a bit too Real. While I completely believe in what the Skin Horse says, that “Once you are Real you can’t become unreal again. It lasts for always,” dear old Polly Dolly is in need of some serious repairs — if only to make sure she will be able to survive to supervise the stories about her as they are told to future generations.

polly dolly face

 I’d like to thank Diane’s Doll Hospital, again, for allowing me to post this article here. February is the month of sweethearts for me; not only for Valentine’s Day, but my daddy was born in February. So I am happy to celebrate him — and Polly Dolly — this month!

PS If you collect dolls, or just love them, you really should subscribe to the free Dolls By Diane newsletter. *smile*

Meet Me Down by Schuster’s (Vintage Department Store Memories & Collectibles)

Like many people, my first jobs were in retail. It was work I actually loved; but retail doesn’t pay enough to support a family, so I left it & got a college degree. Years later, I still consider myself to be a “retail brat” — and so I collect vintage retail store items. Like most collectors, I tend to focus on the names that mean something to me. For me, these are the department stores of Milwaukee, Wisconsin.

Vintage Milwaukee Department Store Collectibles: Boston Store Cloth Patch, Schuster's Stamp Book, Gimbles * Schuster's Hat Box
Vintage Milwaukee Department Store Collectibles: Boston Store Cloth Patch, Schuster’s Stamp Book, Gimbles * Schuster’s Hat Box

A recent score was a Schuster Stamp Book. This vintage ephemera piece from the Ed. Schuster & Co. department store, founded by German immigrant Edward Schuster in 1884, may not look like much. But as an early department store chain in Milwaukee, Wisconsin, it is near to my heart.

Vintage Schuster Stamp Book
Vintage Schuster Stamp Book

I myself never worked at or even shopped at a Schuster’s store. Schuster’s merged with another Milwaukee department store, Gimbels, two years before I was born. In effect, that act in 1962 was a Gimbels buyout of Schusters — and the resulting joint “Gimbels Schusters” name was very short-lived indeed. I never quite worked for Gimbels either; however, I did work at the Southridge Mall Gimbels location just after it became a Marshall Field’s store (at the prestigious Estee Lauder counter) which, in but a blink of a glamorous eyelash, quickly became an H.C. Pranges and, just a few more years later, Younkers stores. But even though I have no real personal memories of Schuster’s, I have the shared collective memories of the store.

Growing up, every adult referenced the both Schuster’s (and Gimbels). It wasn’t just that they referred to buildings and locations once occupied by these earlier retailers (you know, in that way people habitually call new companies and buildings by the former names and occupants), but their advertising campaigns were iconic. For example, anyone my parents’ age or older still feels that special holiday magic at the mere mention of Billie the Brownie.

Billie the Brownie was a Christmas character that Schuster’s Department Store introduced in 1927 to promote their annual Christmas Parade in downtown Milwaukee. Billie, Santa’s favorite elf, went on to delight children in radio shows, motivate parents, and, of course, sell products via ads — until 1955, when a Billie the Brownie doll failed to sell in Milwaukee stores. Billie’s last radio show aired on Christmas Eve 1955. But he continues to live on in the hearts of many a Milwaukee Baby Boomer today! (FYI, in his final broadcast, Billie makes reference to “Sandman”, and according to this site, Billie, true to his German roots, went on to live another life in East Germany the following year.)

But enough about Billie. As charming as he is, he does not appear in my vintage Schuster’s stamp book.

What does appear in the pages of this old book is far more fascinating to me. But before we get into that, it would be helpful for you to know a little bit more about Schuster’s history. Especially in terms of store, trade, or trading stamps which were used as a rewards or loyalty program.

For those of you who think that S&H Green Stamps (aka Green Shield Stamps) were the first trading stamps, it may surprise you to know that the S & H (Sperry & Hutchinson) stamps began in 1896 — five years after Schuster’s stamps. In fact, Ed. Schuster & Co., Inc., is credited with founding trade stamps in the Unites States. The program, which began in 1891, ran for 68 years (until 1959, just before merger talks with Gimbles).

Now for the fascinating part.

Stamped rather sloppily inside the the front cover it reads “Valuable Schuster Stamps will be issued on Price-Fixed Merchandise if Chapter 52 is finally determined invalid.”

Not knowing anything about “Chapter 52”, I wanted to research it — but knew having some date or time period would be helpful. So it was time to try to date the old stamp booklet.

While the covers are rather fancy (a deep red or burgundy, with black & white flourishes, in a matte finish), the paper pages on the inside are quite tanned, old & brittle — as in “cheap paper.” Each page of the book as rectangles for the stamps to be placed, surrounding a center illustrated advertisement for Schuster products. On the back, there is a stock code, “I-39”, which leads me to believe it dates to 1939. While there are no Schuster’s stamps inside (bummer), there are clumsily-placed Easter Seals (for Christmas, 1940) which seem to be the work of a child. The date of those stamps make me more inclined to believe that this booklet dates to 1939 – 1940; but who can tell? I mean, a child could have found this old stamp booklet in the same junk drawer as the old seals and put them together in 1960 — or even later.

Inside Vintage Schuster's Department Store Booklet
Inside Vintage Schuster’s Department Store Booklet

So what’s an obsessive collector to do?

Stumbling about the Internet, I was delighted to discover that there was a book about the department store! Of course, it has to share billing with Gimbles, but… Well, at least a book exists! Schuster’s and Gimbels: Milwaukee’s Beloved Department Stores is by Paul Geenen — and since the book has a website, I reached out to the author, telling him, “I have no idea what this ‘Chapter 52’ is… I know a bit of the early history of Schuster’s and stamps (which is why I was so thrilled to have found this!), but I have no idea what this ‘Chapter 52’ is or when it occurred.” Could he, would he, help?

Yes!

Mr. Geenen replied:

I found a very similar coupon book at the Milwaukee Historical Society when I was doing the research for my book, Deanna. You have one of the few around.

I believe that the book you have was issued and filled with stamps during WWII, when there was strict price fixing. Stores were not allowed to raise prices and were restricted in using the word” sale” when they advertised.

I don’t know what Chapter 52 is for sure, but by the language it appears that Chapter 52 was the fixed price legislation. So what they were saying is that Schusters stamps would be issued if the item was not on the price fixed list.

Issuing the stamps was like putting an item on sale and during the war putting an item on sale was discouraged as it would encourage people to hoard.

How exciting to know what I have is rather rare! And now, thanks to Mr. Geenen, I have more pieces to the story!

I haven’t quite closed the book on this bit of Schuster’s history. But I’ve put a (metaphoric) pin in the Schuster’s Stamp Savings Story for now. …A collector is never quite finished.

PS The title of this post is from (one of the variations of) the old Milwaukee saying, “Down by Schuster’s, where the streetcar bends the corner around”, which lives on as proof of Schuster’s duration.

All images are copyright Deanna Dahlsad; you may use with proper credits — including a link to this article.

Back of Milwaukee Department Store Book
Back of Milwaukee Department Store Book

Collecting The Kind Of Molds You Do Want In Your Kitchen

When I saw this jangle of vintage copper molds at the thrift store today, I was reminded of my aunt Vicki.

copper molds at thrift shop

When she was alive, her entire kitchen was decorated with them. It began, I believe, as an inexpensive way to decorate. Back when I was a kid, you could grab these copper molds for just a quarter or so, which meant for a dollar or two you could easily cover your kitchen walls. (They are more expensive now, but still less expensive than other forms of home decor for your kitchen walls.)

I remember how the copper would gleam off the walls and warm the room… Except for the lobster (he creeped me out — still does!)

As their monetary situation improved, even when they moved to a much larger house, my aunt continued to collect the copper molds — but she also began to add more pieces to her collection, like vintage chocolate molds.

I’ve sort of taken up the idea, but for even more practical reasons: space.

I’ve a modest collection of whimsical cake pans and I find that rather than attempting to stuff them into that wee drawer beneath the oven or fail at stacking them neatly next to the pots and pans, that it’s easier and prettier to display them on the wall above the kitchen cabinets.

collectibles above cupboards

Most of them, like the Wilton Scooby-Doo, have a small hole in the top from which to hang them. And cake pans without them can, like my vintage 3-D lamb cake mold, can sit up atop the cupboards. In either case, I’ve ended the clutter and crashes of cake pans that do not stack or nest nicely.

Plus, on display I know where each one is. The kids pick one out, I take it down and wash & dry it while they gather the ingredients. And I think they add charm to my kitchen too.

Memories Of Vintage Colored Aluminum Kitchenalia

When hubby and I were selling at the Elkhorn Antique Flea Market, we had brought a large collection of vintage colored aluminum pieces to sell. While the display was incredibly vibrant, shining in the sun, what was even more striking were the reactions to it.

Groups of people were drawn to it, often grabbing a person they were shopping with and dragging them over to the display. Of course, these people were usually of a certain age… For while aluminum was considered a rare metal in the 19th century — and costly by the ounce than silver or even gold — once the mining processes improved, aluminum became all the rage and by the 20th century it was used from everything from kitchenware to Christmas trees. By the 1960s, however, plastics were on their way to replacing pretty much everything, including colorful aluminum ware. But many younger people also recognized the vintage colored aluminum ware as much of the fancy colorful aluminum pieces lived second lives as part of camping gear and in cupboards in summer cottages.

Nearly each person who passed by had their own stories and memories about vintage colored aluminum ware. Clutching a piece in their hand, they’d shared their stories — making a collective experience as they stories drew even more people over.

“My grandma had these glasses — I remember fighting with my sister over who got the purple one!”

“I remember these! Everyone had a set of these. …I wonder where I put my set? Oh, I know, I gave them to the kids for camping. I wonder if they still have them?”

“My aunt had these glasses! I remember how cold our hands would get holding them!”

I too recall my aunt having a set of the vintage colored aluminum tumblers — but my memories are more fear-filled. For my aunt used to save money by making Kool-Aid with only half the directed amount of sugar. Ack! Now the sight of these vintage aluminum tumblers makes my taste buds suspicious. *wink*

Another woman shopping at the flea market also was suspicious. When her friend was regaling her with fond childhood memories of drinking the leftover milk from a colored aluminum cereal bowl, the woman shuddered and said the idea of the aluminum near her mouth made her teeth ache. Her friend knit her brow and said, “You use a spoon and fork to eat, right? And aren’t you drinking that Coke out of an aluminum can right now?”

But my favorite story came from a man about my age who said, “I remember how cold the cups stayed — and how they would sweat. And I’d always leave one sitting put on the furniture and when my dad would find it he’d call me over. He’d tell me to pick the cup up and bring it to him. And when I brought it to him, my dad would ‘ding’ it on the side of my head.”

As a mom, I have to wonder just how many times this had to happen before the kid would learn to put his dishes away. *wink*

There were a number of collectors there that day too, out shopping exactly for more pieces to add to their collections — and a number of collectors who were delighted to discover that there really was a pitcher or a coffee pot to go with their tumblers and trays, butter dishes to go with their salt and pepper shakers, measuring spoons to match their measuring cups, and tongs to go with beverage sets. There even are advertising pieces, such as scoops for lard!

Some pieces have (usually black) plastic handles. Some pieces have embossed, etched, or even hammered designs. And the range of colors and brands are impressive!

We sold a lot of vintage aluminum ware that day. What didn’t sell has been split-up, with half going to our case at Antiques On Broadway and the other half going to our booth at Exit 55 Antiques.

My favorite piece of those left is this red and gold aluminum coffee pot — look at the clear mod percolator top! (It’s available at Exit 55, and it can ship from there!)

Get Your Freakies On!

Cereal and cereal boxes hold a special place in my heart. They are as familiar as family at the breakfast table. Maybe more so. For when my sister was young, she went through this phase where no one, especially our Dad, was allowed to look at her in the morning. (Some weird Vanessa Huxtable stage — that’s still kind of around. Sorry, Jackie; but you know it’s true!) Besides her yelling in protest, one of her defenses was to place the cereal box in front of her, hunching herself behind it to hide from anyone who might dare glance at her. I don’t think anyone in the family knows exactly what she looked like in the morning during those years… But I readily recognize the cereal boxes from that time today.

My favorite cereal box was — and is — Ralston’s Freakies.

Freakies was a short-lived cereal, produced by Ralston from 1972 to 1976. But the impact of Freakies was huge. That’s because Freakies were more than a cereal; they were seven creatures with a story. Each Freakie, BossMoss Hamhose, Gargle, Cowmumble, Grumble, Goody-Goody, and Snorkeldorf (my favorite).

When little plastic versions of the Freakies started appearing in cereal boxes, I had to have them all. So did my sister — and everyone else under the age of, say, 16 years old.

Funny thing about Freakies; I don’t recall the cereal at all. Not eating it, anyway. I can’t even remember the flavor… I remember the Freakies, their story, and the box (often my sister’s “face,” remember?). But we must have eaten it, or I never would have had the little Freakies themselves. (Did I mention that Mom and Dad were serious about us eating the stuff?) I do remember having and playing with the little plastic Freakies. Sadly, I also remember selling the little Freakies online. It was one of my first big sales on eBay, way back in the marketplace’s early years. I was paid handsomely for them; but today I wish I’d never sold them. *sigh*

The Freakies and their story were the brainchildren of Jackie End. (How freaky is it that the face behind the Freakies had the same name as my sister who hid behind the cereal box?!) Sadly, Jackie End passed away in August of this year. You can read a great tribute to her here.

As a tribute to Jackie End’s wonderful creation, Freakies live on, inspiring cult fandom and collectors. Vintage or retro Freakies stuff sells. Figures, toys, magnets, animation cells, t-shirts, cereal boxes, advertising, and even Freakies cereal coupons are popular enough to make people pay.

I’m not exaggerating the continuing popularity of Freakies. In 1987, a new Freakies cereal was made. Without Jackie End. Now, the characters were aliens from another planet. And there was a change in the cast; while BossMoss and Grumble remained, the other characters were replaced by Hugger, Sweetie, Tooter and Hotdog. (Seriously? No Snorkeldorf?!) But the retro cereal re-do didn’t last long. If they had kept the original Freakies and their creator, maybe that cereal would still be around.

The good news is that you can still get official Freakies merch here, some of it signed by Jackie End herself. That’s because it’s sold at the official Freakies website, started by Jackie herself, where they are carrying on Jackie’s legacy. And that’s pretty sweet.

Now, if only I could get myself a vintage Freakies cereal box (with at least Snorkeldorf, please?) before the holidays… I’d love to set it in front of my sister during breakfast. (That’s a hint, Santa.)

Image Credits: Freakies Cereal box, 1973, and Freakies collection via Gregg Koenig.

Seven Freakies Cereal Premium Figures from Rob’s Vintage Toys & Collectibles.

Freakies Goods, t-shirts and Wacky Wobbler, from the official Freakies website.

14 Things This Collector Is Thankful For

Traditionally Thanksgiving involves giving thanks for family, friends, food and other blessings of a non-materialistic nature. I’ll be giving that little speech later today with family, don’t you worry about that; but this holiday I want to give special thanks from the bottom of my little collector heart.

#1 “Thanks, ancestors, for settling here.” And by ‘settled’ I mean just that, setting up permanent houses. No offense to the more nomadic peoples, but I’m a collector; I need a place to store my stuff.

#2 “Thanks to all the people who don’t throw things out.” If it weren’t for you, I wouldn’t be able to find and adopt them.

#3 “Thanks, mom and dad, for instilling in me the love of collecting.” You taught me many joys of collecting… the rush of finding, the thrill of bidding victory, the coolness of displaying it all… But more than object ownership & the pursuit of it, you taught me what objects & collecting really is about.

Objects were never ‘just things’, but stories, lessons, and connections. You taught me that everything has/had a purpose. It was made to solve a problem, to express an emotion, or was in some way a part of a larger story. That story may be personal or part of the collective human story — sometimes, the story begins as one and ends as another. You didn’t just share your stories & knowledge, but did so with enthusiasm. And you encouraged us to share our own stories about what we learned, which in turn encouraged us to become lovers of learning.

These lessons in history, culture, art, form & function were all valuable — but none more valuable than the time spent with you. May I have the brains and patience to convert the passion for stuff into such gifts for my children.

#4 “Thanks, mom and dad, for teaching me how to collect.” The lessons here were many… Simple money management skills, for example, have served me well. But learning how to evaluate and establish the value of something has impacted my life the most.

Value is isn’t always what you think it is. It’s not just the price you pay for it, and it may be something no two people will ever agree upon either. Yet when it comes to monetary value, this can only be determined when people agree upon it. So if you don’t agree with the price suggested, negotiate.

Lessons in negotiations taught me, even as a child, how to walk up to anyone with confidence and talk about anything — and how, when things weren’t going my way, to walk away politely without any upset. I’d done my best, but it just wasn’t going to work out this time. Everyone should learn that lesson.

If & when you agree to a value and pay it, no matter what that amount is, you should treat that item with great care. The true value of that object is what made you want it in the first place, and, whatever price you paid, that was money you worked hard to earn. Dismissing these intrinsic values in the object does more than dishonor the object now entrusted to your care, but shows disrespect for yourself. It’s not that the guy with the bigger pile wins; but rather it’s the girl with the most integrity, who takes care of her things and show value for herself, who does.

#5 “Thanks, mom and dad, for teaching me what collecting is — and what it isn’t. Things are not more important than people, but objects can be a link to the people in our personal pasts and long-gone members in our family tree. As we hand traditions and stories down, the original objects themselves are the tangible proof of who walked and loved among us, as well as those who walked before us.

That said, no one should ever love an object so much that they are willing to sacrifice a family member or family peace over it. People first, things second.

#6 “Thanks, teachers, for instructing me how to take an interest and turn it into an obsession.” Without the research skills you taught me, I never would have known how to sate my curiosity. Nor would I have learned that research may in fact only lead to more questions, more research, and that this too is a form of joy; the delight of discovery & the thrill of yet another new adventure are awesome things.

Of course, this would not have been possible if it weren’t for those who taught me not only to read but to love reading. (My book collection, especially thanks you.)

Ditto those who taught me to write. I may have cursed dangling participles, hated your red pen, but without you, my obsession & research would have no outlet.

#7 “Thanks to my dogs for not chewing on or otherwise destroying items and boxes left on the floor when we unload the van after a trip to an auction.” It means I have some time to make room for them all.

#8 “Thanks to my cat for reminding me that the boxes have sat there too long by sitting on top of the most visible box.” It reminds me the things in the boxes need better care, so I’d better find more safe and permanent storage for them.

#9 “Thanks to the guy who invented boxes.” It would truly suck if I didn’t have strong, stackable containers to carry things home and store them in.

#10 “Thanks, museums & their staff, for housing & caring for what I cannot.” Everybody has limits — even museums. But without you, where would things, large and small, go and be preserved? Thanks for doing all that you can so that these objects and their stories will be there for others when they desire to see and learn about them.

(And you make research that much easier too.)

#11 “Thanks, again, to all the people who don’t throw things out.” It bears repeating, because without you, what would I do?!

#12 “Thanks, hubby & kids, for not just putting up with me — but for collecting with me.” I love that we all go on collecting adventures together, and that we share our finds, discoveries, and stories. I love that you listen to mine (and review games with me on occasion), of course, but it’s not every mother, every wife, who is lucky enough to be the goal of a footrace as every one rushes to tell her what they found, how they found it, and why it’s so special.

Every time we talk about our things, asking questions — and listening to the answers, I think how lucky I am to have a close family comprised of such inquisitive & interesting people. It’s a privilege to collect with you.

#13 “Thanks, makers of the Internet, for creating a new world.” Without the Internet, my collecting world would be so much smaller… Smaller in terms of finding, buying, selling, researching, and meeting other folks as obsessed as I. It’s nifty to know that there are other nuts like me — folks even nuttier than me — ‘out there somewhere’; but it’s hard to put into words just how keen it is to meet these fellow-nuts, see their glorious stuff, and learn their stories.

#14 “A special thanks to you, dear reader.” Your reading, comments, and emails are proof that I’m not alone in my obsession… The objects of our affections may differ (delightfully!), but we are all a part of the same thing. It’s a privilege to collect with you, too.

The Medium In The Math Lesson

When I first spotted this page in Study Arithmetics: Grade Three, a vintage school primer published by Scott, Foresman and Company, I thought of the old filmstrips we had in school. But it turns out, the film show in this old math lesson is “moving picture” film. There are actually several lessons using film as a teaching tool, which is rather cool. If the concept of movie film being understood enough at this time for the average third grader to put to use learning math amazes you, just remember that film was then more commonplace than it is today.

Not all of the lessons are as outdated as you might think! You can see different images from this book here.

Talking Records & Record Collection With Tom Casetta

Listen Up!

For over a decade now, when I’ve had a question about records, bands, music history, or just want to discover something cool to listen to, I contact Tom Casetta. This is a continuation of my interview with my music guru.

Tom, you mention the “whole packaging” aspect of vinyl; let’s talk about records as objects… I remember in 7th grade, my art teacher having us design record albums. The lesson was more than the fab art, but the concept of the package. Back then, albums were like books, with each track a chapter in the story; now with MP3s etc, more than a bit of that is lost in terms of the artist telling the story. Yeah, we all tried our own hand at making our own stories with mixed tapes too. (Which ties in quite a bit with the “new” concepts of curation and playlists.) But there is something about the whole package from the artist — even if that includes Management & Marketing. lol

Can you share an example of why certain objects in collection cannot be replaced, i.e.why a digital audio file cannot replace a record album?

Frank Zappa Mothers Of Invention Freak Out Album Cover

Sure, take Freak Out by The Mothers of Invention for example. Frank Zappa thanks a number of people in the liner notes as influences and it is like a map to understanding the music of Zappa and, for me personally, it opened and blurred all these doors or genre. I was exposed to all these 20th Century composers, jazz and folk people… The record album was also two sides. And that is lost if you aren’t playing the LPs. That two-part thing acted like a chapter of sorts. It really makes certain records what they are. The killer opening track on side two doesn’t have that same effect when heard right after the last song on side one without the pause to flip the record.

You have (at least) a whopping 8,000 records — I guess that’s why you have a radio show! Can you tell me the story of your radio show? Was it inspired by your collection — or just a way to rationalize it?

I am currently doing a weekly radio program on the Internet radio station G-Town Radio called Listen Up!. Each week, I guide you through a labyrinth of music shining a beacon on the unsung, should-be-sung, and will-be-sung recordings that clutter the maze’s dusty corridors. The station is based in a Philadelphia neighborhood called Germantown and it offers diverse programming originating from this community in Philadelphia that can be shared through the wide range of the Internet.

The Listen Up! show in some ways does rationalize my record collection as it serves as the library for much of the source material of the show. I love sharing these recordings with the public and exposing them to music perhaps they may not have heard of before. I want to share that excitement, infusing my personality into the show. It’s pretty much you, the listener, hanging out in my music library for two hours.

As a DJ, how liberating is today’s digital world?

I don’t see it that much different. I still approach my shows the same way as before.

Does the digital age come with a cost do you think?

The loss of the record shop as a means to find and discover music is probably the key loss, but there is always a need for gatekeepers to help steer one through the clutter. I also think not being able to see ones music collection on display is sad as those and the books on your book shelves say volumes about who you are to me. If I go to someone’s home and don’t see any books and/or music anywhere. I ask myself, what do you do? What do you talk about? What makes you you?

A Trip To Hippie Tom’s

In May, I went with my parents to an open house at Hippie Tom‘s farm. (If you don’t completely recall the name or recognize him, Hippie Tom is a fan favorite on American Pickers.)

Walking about Tom’s farm is phenomenal. There’s almost too much to take in!

Along with the incredible vintage and antique pieces, mostly organized by theme (sometimes obvious, sometimes personal — enough to inspire by itself!), there are many repurposed and recycled pieces and project ideas to be seen.

My favorite building was the church. The photo doesn’t do the scene justice… The church sits down in a little valley, like it opens up before you, yet somehow in the distance… Inside there was a mix of religious items and a few oddball works of art which showed a sense of humor.

Then again, Hippie Tom’s joie de vivre and humor are exposed everywhere!

Hippie Tom is clearly a fan of collecting shows; this vintage stroller had a paper label with “as seen on American Restoration” on it!

Among the items I purchased at Hippie Tom’s was this antique pelican weather vane. (Something I sniffled about selling last weekend!)

Hippie Tom’s place is called Serendipity Farm — and I also bought one of the old Serendipity Farm signs which Hippie Tom happily signed for me!

That autographed sign is not ever going to be up for sale! But if you want something from Hippie Tom and can’t get to his place or a sale he’s at, check out the merchandise at his website.

Why Do You Collect?

Recently, a North Sydney (New South Wales, Australia) publication, Northside magazine, asked a “few locals” why they collect the things they do.

Academic and psychologist Mark McKinley, thinks that collectors are actually “supreme consumers”. While being called a “consumer”, supreme or otherwise, in the USA is often akin to an insult (even if my 2008 interview with economics professor Marina Bianchi ought to have cleared that up), I believe McKinley means it in a good way:

“While many persons see shopping as a chore; something to be endured, many collectors are just the opposite,” he says.

“Spending the weekend combing garage sales, antique stores and ‘marts’ provides an escape into another world that is both exciting and pleasurable – it gets the adrenalin flowing when a ‘find’ is made.”

That certainly resonates with me.

Sonia Sattout & Her Box Collection; Photo by Yie Sandison

Another person, Sonia Sattout, who also sells antiques and vintage collectibles online, said, “Some collectors are quite normal, in that their lives have routines like work, home and so on, and they fit their collecting around those activities. Other collectors prioritise everything in their lives a distant second, after their passion or obsession for collecting whatever it is they collect.” Which is rather a nice way of saying that collectors are unique — but we’re not all hoarders.

Sattout also said she thinks there are four different types of collectors:

* the aesthetic collector, who responds to the way something looks
* the obsessive, who is always looking for something they haven’t got
* the canny investor
* most commonly, the nostalgic collector for whom what they collect is a powerful memory.

While there are probably as many reasons to collect as there are collectors, I think Sattout’s list is probably a pretty good start in terms of general categories them.

But maybe I’m a bit biased because she collects boxes as I do. *wink*

Why do you collect? And is there something you’d add or change about the four categories?

Inviting Yourself Inside

Pickers aren’t the only ones bold enough to invite themselves onto your property, into your homes; Jessica Saia was so charmed by the Painted Ladies (the Victorian houses around Alamo Square park you see in many shots of San Francisco, including TV’s Full House), that she sent letters to the folks living in them so she could get a look inside. One of them said, “Yes!” Here’s the story, complete with photos.

Nothing To Write Home About? Letters From WWII

In my post at Collectors Quest today, I share my disc-overy of WWII voice mail: audio letters sent during the war.

While I encourage you to read that history, I have two other items to share regarding that story.

First, in the January, 1946 issue of Audio Record (published by Audio Devices Inc., a manufacturer of blank discs used by the USO for the voice recordings), there was this cute story:

From a USO club in the South came the story of a man who made a special record for his family. His mother wrote back that when his pet dog heard the boy’s voice he sent up great bays of delight. So the soldier went back to the USO club ad made a whole recording just for his dog, Fido.

Since this is an industry publication, this heartwarming wartime story may be made up, simply propaganda — but it still works!

And that brings me to the very true fact stated by Letters on a Record Home, a documentary directed by John Kurash which focused on these Word War II recordings from the USO, Gem Blades, Pepsi and local radio stations:

At one point, over 25,000 letters on a record were sent home each month. Very few remain but what we have offers us insight into the lives of the soldiers and their families during the second world war. Most soldiers came back home to become part of the Greatest Generation. But not everyone comes home from war, not every soldier was able to keep their promise.

This short film is part of the GI Film Festival, and will be screened on Sunday, May 20, 2012.

Collecting Is Like… Comfort Food

I just love this story of a college student who de-stresses from her college exams by going to antique stores.

I saw a young girl with long, brown hair sitting in a corner with a small teddy bear she had found in the store.

I saw myself in that little girl.

My father collected antiques and collectibles and would always bring my mother and I along on his trips to various antique stores.

For most of my childhood and some of my young adult life, I would spend more time than I would have liked sitting in the corner of big barns on the East Coast filled with antiques.

As a young girl, I couldn’t stand antique stores. Whenever my parents would wake me up to tell me we were going “antiquing,” I would beg them to let me stay at home.

It’s funny how something that I couldn’t stand growing up could now be such a comfort to me.

However aimlessly her shopping trip began, it struck just the right sense of comfort to calm her down enough for her studies. And how much better for her health than indulging in comfort food. *wink*

Here’s a photo of Margaret Baum, the college student, and Spartan Daily features editor, herself.

History Teaching Moments For Families

Teaching Moments, Jet Magazine

In the latest issue of Jet Magazine (February 6, 2012), Iman Jefferson gets six tips from Ronda Racha Penrice, author of African American History For Dummies, on ways to educate and entertain children with history. These tips are specific to Black History Month — that doesn’t mean you have to be an African-American to learn more about Black history. Nor should this be limited to Black History Month, or even Black history; there’s a lot of history to learn!

The first tip was to record family members about their experiences during a pivotal time in history. We’ve been making general (not historical event oriented) audio recordings of our own family members — and both my husband and I have been flabbergasted to find out how much we really didn’t know about even our own parents’ lives! (If you need help starting, check out StoryCorps.)

The second was to “play the original song versions used in samples of your kids’ favorite hits” and discuss what melodies have been borrowed from yesteryear. Our kids tease us about the music we listen to (admittedly we are eclectic listeners!) and we tease them right back with information about how that music isn’t “new.” These discussions, however intended, have given our children a wider knowledge of music, culture and history than most of their peers.

Tip number three:

Identify longstanding Black-owned restaurants, retail shops or other companies, then call them up and arrange a visit. Many will have older equipment, as well as photos, so it will encourage interactive learning.

I’m so ready for a field trip!

The next tip was to challenge kids to find items in the home or community which were invented or created by African-American icons featured on postage stamps. This is a great idea, like a historical philately-based scavenger hunt!

Tip number five was to have your child research a person prior to watching a biopic and then have them compare what they read to what they saw. I can tell you that I’ve personally done this dozens of times, including performing online searches during the commercial breaks when watching biographies and biopics on TV. (In fact, I just did this last week watching a biopic about Jessica Savitch!)

The last tip was actually quite a mind-blower…

Often we drive by local honorary street signs in predominantly African American neighborhoods but may not know the history of each honoree. Visit the local library and have your children research the real person behind the road marker.

Honest to gawd, hubby and I had just had a similar, though not person-related, discussion when he “discovered” the location of a “missing city.” He’s a prolific reader of old newspapers and read about one no longer on maps: Golden Gate City, in South Dakata. There’s a Golden Gate Street in Central City, South Daktoa, but sans town we bet there are people living there who don’t even know why the street has it’s name. How many streets do we all drive on of which we are ignorant to the street’s name’s origins?

Making Wedding Gifts Heirlooms

We don’t discuss a lot of new things here at Inherited Values, but today we make an exception…

One of my friends is helping a friend with her wedding plans and the subject of wedding gifts came up. Specifically those wedding gifts the bride and groom give to those in the bridal party, the groomsmen, the parents, etc.  As lovers of vintage and antiques, we naturally gravitated to the idea of an excuse to scour antique malls and online stores for just the right gifts. But not everyone loves old things.

Personalized Teddy Message Bear

Since weddings are special occasions, when families grow and joint memories begin, you want to give pieces which will be saved — you want to give things which will become heirlooms.

Heirlooms are those items saved and passed along within a family for generations. They all have to begin somewhere. But in order to become an heirloom, they must be special enough to be saved by the first person they are given to. This means they should be special from the start, carrying not just the weight of the special occasion itself, but the warmth and significance of the relationship itself as well as offering some sort of practicality or use that make the items more than jut dust collectors. (If that “practicality” notion bothers you, please see the history and origins of the word!)

When selecting gifts to mark the occasion of a wedding, consider who the item is for, their role in the special day, and what sentiments are likely to be attached to that day. Drinking glasses and flasks are popular for men because items associated with drinking are reminders of the wedding toasts made. Jewelry and jewelry boxes are popular for female attendants because they are reminders of special days in the past as well as more to come. Personalized teddy bears are great options for children because they are playmates for that day, and toys that sit proudly on display to remind kids of the special day they took part in.

Of course, the more weddings a person has participated in, the more glassware and jewelry they are likely to have, but it just requires a bit more thinking…

There really aren’t any wrong gifts to give, but thinking about the future use of items helps ensure that they will be saved — and on their way to becoming heirlooms!

Mothers Say The Darndest Things

Did you ever notice that as a mother you have all these little odd sayings… Weird sing-songy ways of announcing bed time, meal time, to comfort your children, etc. Some of them were handed down to you from your own mother — who may or may not have heard them from her own mother. Somethings you say, you picked up from your children — like when your toddler isn’t forming the words just right, but you understand him anyway and use his words to communicate with him. (Speech therapists do not like that; but we do it now and then!) Other words and sayings are just part of that secret world of parenthood, things we sing or say along the way that become recognizable comfortable traditions of communication.

My mother has a whole slew of words that she’s entirely made up. Words and sayings I didn’t know weren’t real until I used them around others and received only quizzical and comical responses. Embarrassing then; much beloved now.

As a society, we have such expressions too. Quite often you can find these old sayings on antique and vintage prints, like this one, from an art deco 1920s calender, illustrated by L Goddardfeaturing. At the bottom it reads, “Baby is Going to Bye-Lo Land.”

Up until now, I’ve never heard of “Bye-Lo Land.”

Images via Grapefruit Moon Gallery.

Bewitching Memories Of Lingerie

No, this stunning vintage yellow nylon nightgown isn’t an actual prop, but it does have ties to more than pom-pons — it has ties to television.

Vintage Lucie Ann Pom-Pom Lingerie
Gold Label For Lucie Ann by Claire Sandra, Hollywood California

This vintage nightgown or peignoir wasn’t worn or, to my knowledge, used on the set of TV’s Bewitched, but one just like it was!

Lucie Ann Lingerie Worn In Bewitched TV Series

In fact, Lucie Ann lingerie designs weren’t only used on Bewitched (or, for that matter, Green Acres among others), but one episode of Bewitched not only this pretty pom-pon lingerie style but the Lucie Ann Salon was actually shown too!

Lingerie Designer Lucie Ann's Shop In Bewitched

I remember being so smitten with the lingerie shown on these classic television shows, that I couldn’t wait to grow up and wear such things… It seemed the ultimate mark of being a grown-up woman. Little did I know, that by the time I would be mature enough for such floaty pieces, they would be out of fashion. *sigh* Thankfully, we can hunt for, collect, and wear vintage lingerie.

Images via DixieDallas.

Vintage Camera Shops

I was so thrilled when I spotted these vintage photos because it reminded me of this recent tweet by TheLarmy:

All I have in the fridge is baking soda, camera film and boysenberry yogurt. Anyone got any recipes?

I then knew it was the writing staff behind Cougar Town who wrote the tweet — because Laurie Keller certainly isn’t old enough to have kept film in her refrigerator (it’s been years since this was something recommended to consumers).

For those of us who remember film photography, you’ll enjoy seeing these vintage photos of shops long out of the picture.

First, this photograph of this drive-up film developing stand called the Shutter Shak. (Or perhaps it’s the Shutter Shack? It’s hard to tell from the angle.) This stand-alone building has the shape of a camera, complete with dials and flashbulb on top, and rivals the details of any kitschy roadside attraction! I have no idea where this shop was located; please post a comment if you know more about it.

This next photo is of a camera and supply shop called The Darkroom, with it’s storefront window looking like a camera lens. According to Fine Arts LA:

The Darkroom (5364 Wilshire Blvd.) was once the photographic supply store of choice with a 9-foot tall camera storefront. Built in the early ’30s, it is now the home of El Toro Cantina.

Digital cameras have nearly Photoshopped these places from our main streets — but they live on on photographs.

PS I found these photos via Old Chum when I found these classic roadside attraction food stand photos. Old Chum says they are from California Crazy: Roadside Vervancular Architecture, compiled by Jim Heimann and Rip Georges; more pics here at his other blog.

Pick & Grin – Christmas Memories – Time to Tear Down the Tree

Pick: I suppose it is time. Time to take down the tree, put all the ornaments in their boxes, until next year. We are the only ones in our ‘group’ who have a live tree. When the kids were small, we’d work on putting it up for a few days. You’d do the lights, the girls would put the ‘unbreakables’ near the bottom and I’d do the top part.

Grin: I remember a few of the early years when our trees were SO crooked that we’d have to wire them to the window hardware. Otherwise, they’d tip over. We got numerous comments , none of them good.

Pick: We have talked about getting an artificial tree, but then you mentioned the ‘limited space’ in our attic. And I truly love the smell of a real tree. A friend has an artificial one and her son-in-law always walks up to it, takes a good sniff and retorts “Ahh, the smell of dust!” I don’t want that from my son-in-laws. (Not that either would be so crass – ha!)

Grin: And then there is the concern of the ornaments. The ones from your grandmother, for example. If you left them on the tree, you would worry until next year if one would be broken when moved around. So, since we have to take it all down and wrap them, we’ll keep the live tree. But is there any way we can eliminate some of those ornaments?

Pick: Each time I pack and unpack I have fond memories. I remember putting that exact angel on our tree-top at home. She has withstood the test of time. And the bird with the tail-feathers, why, that was my grandmother’s and there is precious little from her.

Grin: That is understandable – you’ll always want to keep that one. But what about these poorly-painted ceramic ornaments.? They are a bit tacky on your classy tree. And we have so many to pack away.

Pick: But don’t you remember these? We made them with the kids when they were about 8 or 9 years old! They are very special to me.

Grin: OK then, but these plastic ones can go. They are out of date and very cheap too!

Pick: Now wait a minute – those are the bottom-of-the-tree ornaments. Nicholas, our youngest grandson can still come over and touch things. You know how I want to be a ‘fun grandma.’ And then if our Westie knocks one off when he strolls past, who cares? You need the lesser ones near the bottom.

Grin: Sounds like you have rationale for every one on this tree. But then, I am not surprised. It is the same with your year-round decorations. Everything has a special memory, or makes you smile to recall where you found it or who gave it to you. Someday, the house will just sink slowly into the ground.

Pick: You exaggerate – there is still room in the basement for a few things and the attic has a bit of room.

Grin: Dear, if you started collecting toothpicks, we’d be in trouble. But let’s get back to the tree.

Pick: It will look so darn empty in this room when it is gone. Can you put up an Easter Tree?

Collections In Old Shoeboxes

Shoebox

I just put an empty shoebox in my son’s room. Why? Because every kid should have empy shoeboxes to fill.

I remember as a kid all the services shoeboxes had.

Some held saved greeting cards, playing cards and jokers, and other bits of ephemera grown-ups needed not to see when they came to supervise room cleaning.

Other boxes held Barbie’s clothes — especially those I made out of hankies and safety pins and whatnot and so could not easily be stored on the hangers in her houses.

My little plastic horses didn’t have fancy play or storage sets, so shoeboxes took care of those needs.

And once I found the coolest blue metallic beetle-bug outside and I kept it in the shoebox under my bed, sorry mom & dad. (Don’t worry; he didn’t get out in the house. He died in there and that made me so sad that from then on I only played with such things on the screened-in sun porch… I bet you remember my inchworm “habitats” — and that each and every inchworm went back outside after I played with them. Lesson of the shoebox bug learned.)

My point is that each shoebox was like a treasure chest, full of a child’s idea of booty. Inside each cardboard container, secrets were kept, preserved, and most important of all — the prizes remained protected from the prying eyes of parents and siblings alike (any of which had their own motives for plundering).

Shoeboxes contained, preserved, and, because they were so innocuously portable, even displayed the tangible relics of our soles souls. Filling your father’s empty shoeboxes was like the antidote for “filling your father’s shoes.” Each box was all about you.

I’ll confess that I’ve saved one such shoebox collection of my own…

Childhood Shoebox Collection

It’s not the actual same shoebox I used as a child.  But as I down-sized the boxes through the years, these are the bits and bobs I saved… My old playing card jokers;  two of my most beloved plastic toy horses , Sugar and Flame; Sugar’s saddle and hitching post; a small horse head I made in art class; and a few other assorted pieces of ephemera.  And when I found myself with such a little bit to save, I grabbed the nearest shoebox and I knew my childhood pieces had found their home. (I swear Flame and Sugar whinnied in appreciation!)

My adult self knows that cardboard boxes aren’t the best long term storage solution options for most things aged and fragile, especially paper. But the amazing thing about shoeboxes is their ability to hold, preserve and maintain the memories and all the joyful magic of childhood inside them — no matter how many years pass.

I strongly encourage you to save your shoeboxes. Give them to the children in your lives. And, if you have not already done so, be sure to save a few for yourself.

Make a time capsule of your childhood, start a new secret collection, recapture the joy of collecting in a shoebox.

Collecting Children’s Books: Lessons In Rabbit & Skunk

Rabbit and Skunk and the Scary Rock, by Carla Stevens (illustrations by Robert Kraus) is one of my fondest childhood reading memories. Of course, I had completely forgotten about this book until I spotted it at one of those church rummage sales where you pay $2 for whatever you can fit into a paper bag. But the instant I saw that cover, it all flooded back — and I neatly snatched it up and put it in my bag.

I was so excited by the find that I was shocked to discover that neither hubby nor the kids had ever heard of what I consider to be a childhood classic! Apparently it’s been out of print for a number of years now. *sigh* (But you can still find cheap copies at at eBay.)

Remembering reading about Rabbit and Skunk and their fright over the scary talking rock is far more delicious than reading it now; sometimes you really can’t go home again. *deep sigh*

But then collecting children’s books isn’t about reading and rereading them — at least not alone by yourself. No, collecting children’s books is about literally holding-on to those precious literary memories, about the tangible connection to those fragile and magical moments of those early joys of reading… We get to hold in our hands again those things we still hold dear in our hearts.

Rabbit and Skunk and the Scary Rock, for those unfamiliar, was published by Scholastic Book Services, so it was a very early reading experience for me. I remember reading and rereading it, the repetition more than that soothing familiarity children seek, but a mastery of the adventure — with each read I could take myself out there and bring myself back again. All by myself! No longer was I held hostage to the schedules and preferences of others; no longer was I stuck to the confines of my room, my house, my world — I could go anywhere, do anything!

And, just as Rabbit and Skunk discovered, big scary things aren’t always what they seem. You just have to muddle through to the end, that’s all.

Thinking of this reminded me of another childhood favorite: The Monster at the End of this Book.

By the time this book came out, I was way past both Sesame Street and Little Golden Books — but I had younger cousins, and they love-loveloved it when I read them the story of silly Grover’s fear of a monster. How could he be afraid of a monster at the end of the book when (spoiler alert!) he is, of course, a monster himself!

One of the reasons I enjoyed reading this book over and over to my younger cousins was because of its similarity to Rabbit and Skunk’s adventure. There’s the silliness, of course, but primarily the books address fear. My understanding of the concept of fear was, as a young reader, closely tied to the fear of reaching the end. The anxiety of “What would they find?!” was sort of a high… And the resolution rather a come-down. Not specifically because it wasn’t terrifying enough or was anti-climactic in anyway, but because all that good stuff was at an end. (In some ways, that hasn’t changed; I still loath for a good book to end.)

I was then left with a choice, do I read it again or select another adventure? (Never was the choice not to read.) What if the new adventure isn’t as good as the old one? …But, if I read the old one again, what might I be missing? Staying in the middle of a great read, looking forward to the miles to go, is always my favorite place to be.

This confusing pull surrounding endings — even those with new beginnings — is what I find myself struggling with each New Year’s Eve.  If I might be allowed a cynical moment here, I suspect most of us feel that way and that’s why drinking alcohol and partying have become de rigueur; we just are too uncomfortable with “Goodbye.” And facing a “Hello,” even after a bad year, is to wonder if we wouldn’t really be better off sticking with the old one…

But, as this year is about to end, I must remind myself of Rabbit, Skunk, Grover, and reading books taught me. Be brave. Big scary things aren’t always what they seem. Whatever you’re going through, it’s better when you have a friend to share it with. You just have to muddle through to the end, that’s all. And then look forward to the next adventure.

After all, you can’t prevent this New Year from arriving anymore than Grover could prevent the end of the book. So you might as well embrace it. Happy New Year, one and all!