Always wanting to learn more, I contacted Kitty Hanson of the Santa Fe Trading Post about my suspected Gay Fad juice set.
Miss Kitty, as she is most known, is co-author of the new and incredibly, exhaustively, researched two-volume encyclopedia set about Fran Taylor and Gay Fad Studios, Gay Fad: Fran Taylor’s Extraordinary Legacy. She was gracious enough to write back with a great deal of information:
I went to your site and enjoyed the article and photo of your Anchor Hocking juice set with the hand-painted oranges. My opinion is that you may well have an early Gay Fad orange design, but that’s going to be difficult to definitively prove. However, I can add a few more clues.
We know for sure that Fran often painted her GF designs on Anchor Hocking blanks, and I, too, have found what seems to be authoritative information that AH’s Manhattan pattern was produced from 1938-1943. So if your set is by Gay Fad, that would mean that Fran produced it in Detroit before moving Gay Fad Studios to Lancaster, OH in 1945. As we say in “The Fran Taylor Story” chapter of our book (page 5, volume 1), we have yet to discover a newspaper article about Fran or Gay Fad or a Gay Fad ad dated prior to 1945. But we do know that all of her Detroit work was done with “cold painting” because she didn’t have the ceramic paints or equipment necessary to do fired designs until moving to Lancaster and installing a lehr in her new production facility. Obviously your set is “cold painted” and that accounts for the flaking paint on your juice set.
Interestingly enough, Red Burn (Fran’s first husband and GF vice president) wrote an article for the July, 1949 issue of Crockery and Glass Journal where he explained the difference between cold painting and fired painting and the fact that cold painting has durability issues. That article is reproduced in the “Gay Fad Articles” chapter (page 180, Volume 2).
We also know that Gay Fad produced a variety of Orange designs over the years, and we show pictures of 10 of them in the “Gay Fad Designs – Identified” chapter (page 103 of Volume 1). Our earliest example is from a GF ad in the February, 1947 edition of Crockery & Glass Journal.
Your design is different from any of the ones we show, but again, we have only three pre-1945 examples of Fran’s work: a Rose design lamp she gave to her brother as a wedding present in 1941 (page 4, volume 1), a Fruit design recipe box she gave to his wife during the early 40’s (page 5, volume 1), and one of the wastebaskets that “started it all” (page 3, volume 1) cut from a photo in the “Beauty and the Baskets” article in the June, 1947 edition of American Magazine (full article on page 169, volume 2).
Another reason why I think your orange design is probably an early GF piece is because of the squiggly stem on the bottom of the orange on your carafe. The fruits (apple, pear, grapes) on Fran’s early 40’s recipe box clearly have squiggly stems, as do many of GF’s various fruit designs, including some of the various Orange designs.
In addition, several of the GF Orange designs are painted in orange and yellow similar to yours. Donna has a similarly-shaped carafe/pitcher (NOT the ribbed Manhattan pattern) with a double orange design in orange and yellow, plus a squiggly bottom stem (page 103, volume 1), all of which looks very much like your single orange.
So again, my opinion is that your set may well be an early Gay Fad orange design, but that’s going to be almost impossible to prove – at least at this point in time.
Hope this helps!
This information is exciting!
I was pretty sure the vintage glass was cold-painted, but honestly, the texture and flakes had me confused… All the cold-paint pieces I have are vintage ceramic pieces, and there the paint appears more “slipped off” and not something that you can feel like you can on this set. (But then again, who knows how it was taken care of? An idiot putting the vintage glassware in a dishwasher back in the 1980s?! I’ve seen damages from dumber things.) I didn’t think the art glass was decorated with decals; there’s no film or lines surrounding the fruits and leaves; and you can see paint strokes and layers, especially behind the clear glass. But there are transfer processes too… Glassware can be so confusing!
But Miss Kitty’s information makes sense. The dates of the vintage Depression glass coincide with Fran Taylor and Gay Fad’s early years during which the cold painting was done. Likely there was some experimentation with different paints and processes. Conditions, like on this set, will be an issue. But I’m rather charmed by signs of use and the notion of a woman starting her business.
I don’t really collect glass. Partly because of the confusion about the different process involved; partly because glassware doesn’t speak to me. However, there’s something about Gay Fad Studio’s designs, and, especially, Fran Taylor herself that speaks to me… I do also have a ballerina shaker that I’ve since come to believe was a Gay Fad Studios piece too. So maybe I’ll have to pluck this vintage juice set out of the case and just accept the fact that I’m now collecting Gay Fad glassware. I don’t think I’ll be able to stop myself from looking for her early pieces anyway. *wink*
Now, about the Gay Fad books by Miss Kitty and Gay Fad collector Donna McGrady…
I want them in the worst way. The price of the two-volume set (a total of 610 pages, 1,549 photographs, and 745 scans) is $149.95 (buying both together saves you 25% off list price and gets you free priority shipping to anywhere in the USA). That’s pricey; but this information isn’t anywhere else (she softly whined). So it’s on my wishlist. If you care to gift me the books, or donate towards them, just let me know. *wink*