Anyone else remember these vintage fairy tale books with the fancy “winky” cover inserts? If you are of a certain age, they are iconic as well as nostalgic.
Often called 3-D books, the iconic images on the front cover are actually lenticular designs created in Japan. Most of these books date to the 1960s. By the 1970s, the books were republished without the plastic inserts on the covers; instead, they were replaced with standard photographs of the posed puppets Those images themselves are rather iconic — to those of us who are of a certain age. This one is The Snow Queen by Hans Christian Anderson illustrated by Shiba Productions and published by Golden Books. Via Little Slice of Heaven.
I know that many of us who regularly hunt for collectibles at eBay are likely to start with our “My EBay Page” or a bookmarked link to one of our favorite category pages, and as a result we often never visit the main page of the site. As a result, even if it’s nearly a year old already, you may have missed eBay’s new blog called eBay Stories.
Unlike most things eBay, this part of eBay proper actually manages to focus on antiques, vintage items, and history. One of their latest posts was about how a lost WWI medal was found again. What collector doesn’t like to hear about a story like that? We love happy endings like that! To keep up with other similar stories, you can bookmark the “Remarkable Listings” category of the blog. Or make just one visit and subscribe to the newsletter.
PS If you’ve heard about eBay Collections, but aren’t sure what they are or how to use them, here’s a nice tutorial.
I hate dolls. They just creep me out. But, as I’ve mentioned before on the _floss, I have a bizarre fascination with dollhouses.
I’m in good company, though. Included amongst the millions of people interested in miniatures was Colleen Moore, a silent film star whose career fizzled a bit when the talkies came out. But movies weren’t her only passion: a love of miniatures was passed down to her from her father, and in 1928, she enlisted the help of a set designer friend to make a remarkably detailed eight-foot miniature “fairy castle.”
55thousanddresses – Over 55 thousand dress privately collected and offered to you.
Deanna Dahlsad‘s insight:
For 50 years, a man purchased vintage ball gowns, prom dresses, and other dresses for his wife to wear when they went dancing. The collection totals 55 thousand gowns — and now is available for sale (one by one, of course!)
Some collections are easy to display for the holidays — and don’t require any additional trimmings either. In our space at Exit 55 Antiques, I’ve put the vintage cookie cutters in the ceramic basin of an antique washstand. It would be an awesome way to greet guests at the door, especially if you added some old wooden baby blocks spelling out “Welcome” or “Merry XMas” along the back shelf!
Besides cookie cutters, what would you display this way?
Before electricity made its way into most homes, Christmas trees had the warm glow of candlelight. The candles were attached to the tree branches via little metal clips. Most often they were decorative clips made in Germany, like these shown here. Since using candles to light your tree is neither practical, nor safe, we don’t recommend bringing back that tradition lightly. (No pun intended!) But that doesn’t mean you can’t safely use these charming bits of Christmas past this holiday. They make wonderful placeholders, with or without candles, at your holiday table.
More than that, these vintage and antique Christmas tree clips can be used to display your holiday greeting cards (collectible ephemera and the new ones you receive from family & friends this year), photographs, etc. (As always, I would recommend sliding old or collectible paper in clear sleeves to protect them from the elements.)
This sort of display would work well on holiday trim around doorways, etc.,; not just on trees.
In fact, since the designs on these old tree clips vary widely, including non-holiday motifs, like pine-cones, you could use them year round. For example, instead of clothespins on those framed bits of chicken-wire and other rustic ways to show-off photographs.
While I obviously prefer “old” pieces, if you prefer something more industrial (or at least not so shabby chic), there are contemporary clips as well. Whether you opt for old or new, whether you want to light the candles or not, the fact that they still make these tree candle clips means they still make the right size candles too.
The holidays, with all their visitors, are the perfect time for showing off our collections. And what collector doesn’t want to show off their collection?! Instead of replacing your antique and vintage treasures with holiday pieces, why not deck your collections along with decking the halls? It can be as simple as mixing in some simple holiday trims.
Here’s a collection of vintage soda pop bottles topped with simple gold and silver ball ornaments. It would make a unique centerpiece on any holiday table.
Collect breweriana, not pop? Gold balls really make vintage beer glasses come alive!
Here I used some sparking Christmas tree balls and strings of garland to decorate some vintage pottery pieces.
Even more rustic country displays can be given some holiday glitz this way. I added some silver balls and garland to this set of vintage blue Ball canning jars.
And here, that rustic autumn centerpiece gets a bit more glamorous for the holidays. Along with the ball ornaments, I added some glittery golden picks.
However, if you don’t have any vintage ornaments left over once you’ve decorated the Christmas tree, or if you cannot find enough old ornaments to get a color theme for your grouping, you can get extra trimmings inexpensively at the dollar store. That’s where all of these balls, picks, and garland came from.
I just love the look of old wooden sleds holding the Christmas presents. Sometimes you have more presents than the sled can carry — but a few on the sled looks lovely next to the tree! This is a photo of our display at Exit 55 Antiques.
We’ve all seen those cute vintage Santa and reindeer sleigh sets…
And we’ve all seen enough of the old sleighs at thrift shops to know that eventually, like Santa’s sleigh Christmas morning, whatever goodies were originally in the sleigh have left — even Santa and his reindeer have departed leaving an empty and forlorn sleigh, just shadow of its former useful and joyful self.
But Wanda’s archive of Christmas decorating inspires me to rescue and adopt these old empty sleighs and fill them with other collectibles. (I do have quite a number of those just sitting around!) Here she shows some vintage plastic dolls of other nations taking a ride around the world in Santa’s sleigh.
And here, retro kitschy poodles pile on in! I just love that!
An old wooden crate that once held bottles of embalming fluid. I spotted it in an antique shop (and forgot I had on my camera lol). Printed on the side: Penetrating Beta-Dioxin Re-Concentrated Embalming Fluid.
Immediately, I thought of the holidays and the need for low centerpieces which wouldn’t get in the way of seeing family and friends.
I lined the drawer with this seasons’ hottest decorating fabric is burlap (probably because it is both rustic and natural looking for Fall), but you can use any fabric that goes best with your table settings. Inside, I placed some nested vintage brown glazed stoneware bowls, a vintage brown milk bottle, some little glass bottles with colorful rocks and shells, and then, for some extra seasonal flair, I tucked in some pheasant feathers. Pretty enough for a Thanksgiving table, don’t you think?
You can certainly fill the bowls with pine cones or something else decorative, or use the bowls to help with serving at the holiday table. And you sure can go crazy with red and green for Christmas; or change the colors and decorative combinations to match your china, your every day decor, whatever you’d like!
I may just keep this vintage wood drawer on the table top all the time. It can be awfully practical, serving to store the family’s usual table needs, such as napkins, salt and pepper shakers, the morning’s cereal bowls — whatever you find you need to leave on the table. And since it’s all in one drawer, you can pick it up as easily as any tray (maybe even more so, as the deeper sides mean less things will topple out and over!) to wipe the table clean, change the tablecloth, etc.
NPR (blog) Photos Reveal Harsh Detail Of Brazil’s History With Slavery NPR (blog) Brazil was the last place in the Americas to abolish slavery — it didn’t happen until 1888 — and that meant that the final years of the practice were photographed.
Deanna Dahlsad‘s insight:
Have you ever looked at your collection of photographs and noted what stories they tell and preserve?
You may have read the news about the titular movie prop from film noir classic The Maltese Falcon (1941) going up for auction — expected to fetch $1.5 million. The 50 pound falcon statue is valuable not only to those who love film or who are fans of Humphrey Bogart and Mary Astor, but to art lovers as well, for the prop was created by Fred Sexton.
The story of the Maltese Falcon statuette begins the same year the movie was filmed – 1941 – when Huston hired Los Angeles-based artist Fred Sexton to sculpt the prop for his directorial debut. Huston and Sexton were high school classmates and close friends, and the film director collected many of Sexton’s paintings.
In an on-camera interview with Vivian Sobchack in August 2013, Sexton’s daughter, Michele Fortier, discussed her father’s distinctive and familiar signature, and described her childhood experiences amongst Hollywood’s early elite and on movie sets.
Hank Risan owns two authenticated Maltese Falcon statuettes from the 1941 film production that bear Fred Sexton’s distinctive “F.S.” markings and they are widely regarded as two of the most valuable film props in the history of cinema. In 2004, UCLA Professor Richard Walter, a court-approved expert appraiser, supported the high valuations in an eloquent comparison to another highly-prized film prop: one of four pairs of ruby red slippers worn by Judy Garland in the iconic Wizard of Oz, which sold for $666,000 in 2001. “But whatever the slippers’ value,” Professor Walter wrote, “it has to be less than that of the falcons because the slippers are merely one prop, albeit an important one in the movie. The falcons on the other hand are the namesake props that define the picture itself. It is significant in the extreme that in addition to being important props they are also the title of the film.”
“Life imitates art,” stated Mr. Risan. “What’s amazing is that in the film Spade and Gutman discuss the value of the falcon in similar terms. The rara avis has a unique backstory as compelling off-screen as in the film. The black birds are truly objects d’art.”
However, in the auction held today, The Maltese Falcon did not fetch the predicted million dollars or more — in fact, it didn’t sell at all.
The official language for that is “passed” and it happens when the reserve price is not met. While the reserve may have been set too high, this can happen simply because everyone thought everyone else would be bidding and so they assumed they wouldn’t get it. Auctions are rather like elections that way; people stay home thinking everyone else is going to take care of business. But, be it auction or election, those who care ought to show up.
It remains to be seen how long it will take for this Maltese Falcon to show up at auction again.
The following is a list of viewers produced from 1938 to 1996 and the “known” variations. Since many items are continually being “discovered” for the first time, any updates by our readers would be greatly appreciated. We are only listing production viewers.
You may have seen these vintage wire desk sets, but chances are you didn’t know they had a name — or at least you probably didn’t know their name. Like many vintage items are found without the boxes, it can be hard to find out the actual name of an item. Thankfully, I found this one boxed so I know this little guy is Scotty The Pup, aka Mac’s Dog.
His metal coil body holds letters, his coiled tail holds a pen (or pencil), and you can hang paperclips off his chin. These vintage doggy desk sets came in silver chrome, gold, and matte black finishes. I’ve got one silver, and one black one. The silver desk secretary doggie was an early one; the box is marked that the patent was applied for.
A lovely vintage advertising piece for Radiant Roast Coffee (Fairway Fine Foods, St. Paul, Minnesota, Fargo, North Dakota). This framed piece, likely used in stores, features three images of the coffee making process: Blending, Grinding, and Vacuum Packing. Spotted at Antiques On Broadway.
By the start of the 1900s, home sewing and clothing patterns were big business. One of the last to enter the fray at the turn of this century, would become another one of the big names in sewing pattern collecting. According to Zuelia Ann Hurt in Craft Tools — Then and Now (Decorating & Craft Ideas, October 1980 issue):
Soon after 1900 a prominent fashion magazine called Vogue published a coupon for a pattern. For fifty cents, the reader received a pattern hand-cut by the designer Mrs. Payne on her dining-room table.
While Vogue was using its publishing power to spawn a fashion pattern business, the other sewing pattern companies did not slow down. Here are some notable moments — and collectible names — in sewing pattern history.
In 1902, James McCall’s The Queen of Fashion magazine changed its name again and became McCall’s Magazine, widening the contents of the publication to other womanly pursuits and interests.
In 1910, Butterick continued their sewing pattern industry innovation by introducing the “deltor” — the first instructions printed on a sheet included inside the pattern’s envelope.
In 1914, the Vogue pattern department officially left the magazine to become Vogue Pattern Company. (This was in no small part due to the 1909 purchase of Vogue by Condé Nast.) Vogue patterns continued to be sold by mail until 1917, when B. Altman’s department store in New York City became the first store to stock their patterns. In May of 1920, Vogue Patterns launches the Vogue Pattern Book.
In 1920, there was another major change in the sewing pattern industry. This time it was McCall’s leading the way by moving from the perforated tissue patterns to printed ones. Eventually the others would follow suit. McCall’s would also begin working with designers like Lanvin, Mainbocher, Patou, and Schiaparelli.
An advertising salesman for fashion magazine Fashionable Dress, Joseph M. Shapiro, was shocked to find that something consisting mainly of tissue paper would cost $1. Via his connections, he found the way to produce — and profit from — a pattern which would sell for just 15 cents. The Simplicity Pattern Company was born in 1927 and Joseph’s son, James J. Shapiro, was its first president. With such a low price, Simplicity expanded quickly, including internationally.
In 1931, Vogue starts Couturier Line and introduces new large format envelopes.
In 1931, Simplicity began producing DuBarry patterns exclusively for F. W. Woolworth Company (through 1940).
In 1932, Condé Nast starts the Hollywood Pattern Company. Hollywood Patterns featured designs straight of film and usually had photos of Hollywood stars on the packaging as well. The Hollywood Pattern Company ceased pattern production a few years after the end of World War II.
Also in 1932, McCall’s would again push the envelope by, well, pushing the envelope — now full-color illustrations appeared on the covers of McCall’s pattern envelopes.
In 1933, Advance began manufacturing patterns sold exclusively at (and for) the J. C. Penney Company. Because of the J.C. Penny connection, Advance was able to secure a number of designers (including Edith Head and Anne Fogarty) as well as rights from Mattel for authentic Barbie fashion patterns. (The company was sold to Puritan Fashions in 1966.)
In 1946, Simplicity finally fully converts from perforated patterns to printed sewing patterns.
In 1949, Vogue added the Paris Original Models patterns from French Couturiers and was the only company authorized to duplicate these fantastic designs. Such deals with international designers would expand, including millinery designs in 1953 and International Designer Patterns in 1956.
In the 1950s, McCall’s patterns produces another designer line which included French couturier Hubert de Givenchy and Emilio Pucci.
In 1958, Vogue Patterns fully transitions from perforated to printed tissue patterns.
In the 1960s, McCall’s “New York Designers’ Collection Plus” featured designs from Pauline Trigere and Geoffrey Beene, among others.
Starting in 1960s and continuing through 1970s, Butterick produces the “Young Designer” series, featuring designs by Betsey Johnson, John Kloss, and Mary Quant.
In 1961, Butterick licensed the Vogue name and began to produce patterns under the Vogue name.