Gone With The Wind, Ashes To Ashes

The first scene filmed for Gone With The Wind (1939) was the burning of the Atlanta Depot. And it remains some of the most iconic film images of all time.

Shot on December 10, 1938, using some nine cameras — including all seven of Hollywood’s then-existing Technicolor cameras, the 40 acre set was actually many old MGM sets that needed to be cleared from the studio backlot. Flames 500 feet high leaped from old sets, including the “Great Skull Island Wall” set from King Kong. The fire was so intense, Culver City residents, thinking MGM was burning down, jammed the telephones lines with their frantic calls. Ten pieces of fire equipment from the Los Angeles Fire Department, 50 studio firemen, and 200 other studio help stood by throughout the filming; three 5,000-gallon water tanks were used to put out the flames after shooting. This and other costs put the bill for this famous film fire at over $25,000 for a yield of 113 minutes of footage (some of which was later used in other films; for more on this and the special effects in Gone With The Wind, see Matte Shot).

Now it seems fire plays another role in Gone With The Wind; on February 10, 2012, a fire spread through Hudson Self-Storage in Stockbridge, Georgia. Though firefighters extinguished the fire, all 400 storage units and their contents were damaged, sustaining some degree of fire, smoke, or water damage. Among the storage units, was one leased by the Road to Tara Museum, containing rare memorabilia from Gone With The Wind.

While many items remain safe in the museum, such as the priceless signed first editions of the movie script, Frenda Turner of the Road to Tara Museum fears much of the $300,000 collection in storage was lost. Turner said that among the items not currently on display at the Jonesboro museum and stored in the unit included the large oval paintings of Clark Gable and Vivien Leigh seen hanging prominently from the front of the Loew’s Grand Theatre during the movie premier — Loew’s itself caught fire on January 30, 1978, the damage led to the demolition of the historic venue.

Frankly, my dear, we do give a damn.

The Bureau of Alcohol, Tobacco and Firearms and local authorities are investigating for signs of arson.

Collecting & Preserving The Typewriter

This past summer, my youngest, age 11, discovered a typewriter at a garage sale. He, like all our children, is fascinated by typewriters and their mechanical means of doing what the younger generation does digitally. His find was a portable blue Royal Sprite from the 1970s, and he negotiated a price of $1 for it. (I’ve taught my kids well!)

Recently, he and his find were featured at Frank De Freitas’ Typewriters Around the World, a site devoted not only to showcasing typewriters but to showing off their typefaces or fonts by having folks mail in letters typewritten on the machines.

In a related note, at Boing Boing, news that a documentary on typewriters is in need of funding in order to be completed:

Christopher Lockett, a director/cinematographer in Los Angeles, began working on a documentary called The Typewriter (In The 21st Century) after visiting Boing Boing and following Cory’s link to a Wired.com article about “The Last Generation Of Typewriter Repairmen.”
Christoper says:

We’re down to our final [7] days in the Kickstarter.com fundraising… and we are woefully behind out goal of $20,000. We are presently at $5,631 with 34 backers.

We’ve shot 17 interviews with typewriter repairmen, users, collectors, authors, artists, street poets, historians and enthusiasts, documented two type-in events and have shot in LA, SF and the Phoenix/Mesa, AZ area. We’ve photographed famous machines once owned by John Lennon, Jack London, John Steinbeck, John Updike, George Bernard Shaw, Ray Bradbury, Tennessee Williams and Ernest Hemingway.

But we’re only about halfway through shooting the film. There is a lot left to shoot on the West Coast, and even more to shoot on the East Coast and abroad. Details of our plans and some of the incentives we’re offering are on the Kickstarter page:

One of the incentives we’re offering at the $5,000 donor level is to type a letter on a typewriter owned by Ernest Hemingway that he used to keep in Cuba. It’s in Los Angeles now in the Soboroff collection.

Of the $20,000 we’re hoping to raise, none of it goes toward salaries. It’s all for travel and post-production.

More details and means to donate can be found here, so, typewriter collectors and fans, take action!