The Little Brass Box

A few months ago I was driving down I-94, on my way back into town after a work assignment, and I got a call from The Wifey. She had gone to the Fine Arts Club‘s semi-annual rummage sale, and wanted to know when I would be home. She wanted to make sure I’d be back in time to go to the sale before they close, because my expertise and obscure knowledge was required. Never one to back down from a challenge, I knew I had better be back in time.

I made it with plenty of time to spare, and we got to the sale a few minutes before they were about to close. When I arrived, the lovely ladies of the Fine Arts Club, who had already briefed on my talents by my wife, were excited to hear what I could tell them. I was shown this small metal canister:

Everyone was all abuzz about this fabled expert in strangeness, and I wasn’t one to disappoint. I picked up the little container, turned it around in my hands, slid the little door open and closed, and made my assessment.

“I believe it’s a container that held nibs for fountain pens,” I proclaimed. ” See, they eventually wore out — you wanted to keep them sharp — so you had to replace them regularly. You bought a bunch of them at once and these came in this little tin. Usually the tin got tossed out I’ll bet, but this one managed to survive somehow.”

This revelation brought about gasps of “AHA!” and compliments to my wife on the accuracy of her claims of my ability to identify the little box. It had been brought in by a member to be sold, and it had been placed on the antiques table. Many customers had attempted to identify the little canister, but none had reached such a satisfactory description.

Of course, now that I had properly identified the artifact, I was, by their standards, the best possible customer to purchase the tin as well. I could certainly have declined, but I also felt the same curiosity and intrigue that the tin brought everyone else, so I negotiated the price down to $10, and took my new mysterious prize home.

Now, I may have shown an unshakable certainty at the rummage sale, but I wasn’t entirely certain of my answer. Nib packaging is still the best answer I have, but the name of the product made me more interested in the actual origins of the tin.

According to the tin, this belongs to the Atlantic Cable Pen, manufactured by Cutter Tower and Co. of Boston. It was patented in October 1856, and it’s identified as a No. 29 E.F., whatever that might be. It doesn’t give enough information to say whether the pen or just the tin was what the patent was for, and being such an early patent I could find no relevant patent from October 1856 in the online patent records. Cutter Tower and Co was an office supply and stationery distributor, who sold all sorts of writing implements, paper products, and other office equipment, often rebranded as their own. Still, the Atlantic Cable Pen eluded discovery.

The key to the tin came when I connected the 1850s with the atlantic cable — the Trans-Atlantic Cable, that is. Through the 1850s and 1860s several attempts to run a communications cable across the bottom of the Atlantic Ocean were made, with final success arriving in 1867. As a communications revolution, a cable connecting Europe to North America was a big deal, and, well, if I were running a company whose products revolved around interpersonal communication, I’d try to capitalize on it, too.

So, the tin remains a mystery, but here’s what I think it is: With the coming of trans-Atlantic communications, Cutter-Tower Company decided to capitalize on the new technology by branding one of their pens as the “Atlantic Cable” Pen, evoking the future of communications. Just as “HD” is used inappropriately or 7-segment displays were added to analog equipment to call them “digital”, piggybacking your product on the buzzwords of cutting-edge technology is a tried-and-true road to success. Had the 1857 attempt to run a cable succeeded, Cutter-Tower might have had a big-seller on their hands, but it was ten years before a cable made it from one end to the other intact. I’d also guess that the patent is on the unique and charming container design, but was displayed prominently to encourage the idea that somehow the Atlantic Cable Pen was a new technology. In the end, it was an average pen, needing new tips, and the tin, and all it’s fancy design, was to sell a rather commonplace pen to the masses.

As a bonus, here’s what was inside:

This tin one belonged to Bessie Bayless, from Pennsylvania and Ohio. From the Atlantic telegraph lines, to Pennsylvania and Ohio, to the Fine Arts Club in Fargo, North Dakota, and finally into the hands of someone who obsesses over trivial mysteries, this tin is more than just a holder of nibs: it’s a world traveller and a mystery for the ages — and it’s mine.

Floaty Pens for Laura (Wherever she is)

“Life’s more fun if you tilt things now and then. ” – Elizabeth Spatz

I had an online friend, Laura (which is also my own name), who loved floaty pens. Like so many people you meet online in chats, forums and various other virtual places, I lost track of her after the group fell apart/ faded away. Without turning this post into a tell all true confessions thing, I will say that I really liked Laura but (at the time) I was shocked to find out she was having an affair with one of the married men in the group. She was also married. I’ve become a little jaded or seasoned since those early days, back when we talked on IRC (Internet Relay Chat) and used mIRC.

Anyway, Laura had begun to create a site for her floaty pen collection. She shared the link with me. But, that was probably ten years ago. I don’t have the link and so far I don’t think I’ve found it. Many of the personal collection floaty pen sites I’ve found are pretty neglected/ forgotten. Not all, some are as active as this year, pretty good for a small niche hobby page/ site.

I do have a couple of floaty pens buried away in the stuff I haven’t unpacked. I have been something of a vagabond, moving every 5 to ten years. Unpacking wears thin. One of my floaty pens came from my Grandmother’s trip to London, UK. Another I had bought myself with my allowance money on a family trip to Niagara Falls, Ontario. A third pen is from the CN Tower here in Toronto, another family trip though we had arrived on a foggy day and never did go up to the observation deck to try looking for our house.

There is a recent pen, pink for breast cancer awareness. It’s not as fun as watching London bridge rise and fall or the elevator go up and down the length of the CN Tower but it is pretty in pink, with the pink ribbon floating along a line of women standing together. I bought it at Zellers, when I was still working there as a cashier.

Happy Worker: Custom Floating Action Pens

History of Floaty Pens
In the 1950s, Esso (now Exxon Mobil) approached Peder Eskesen, a one-time baker and the owner of a small acrylic factory in Denmark. Eskesen had been working on a pen that contained mineral oil, and Esso wanted to have an original ballpoint pen made with a small oil drum floating in oil. Buoyed by this first floating success, in the decades that followed Eskesen produced numerous corporate and tourist souvenir floaty pens. A later standout invention was the famous (or infamous) tip ‘n strip pen. Long a staple of dorm rooms and source for teenage snickering, these x-rated pens featured scantily clad female or male strippers whose black-colored underwear vanish completely with a simple tip of the pen. Of course, the mechanism behind these conceal & reveal pens have also been put to good use with other, less controversial corporate messages.

Float Art Design: History of Float Pens

Over 63 Years of Float Pen History
Typical Danish-made Eskesen floating pens create a detailed miniature scene inside the confines of a 16×80 millimeter translucent tube, and inside the tube, some object (a plane, a car, etc.) always floats by. The liquid inside the pen is not water but rather mineral oil, which allows the floating objects to float smoothly and slowly across the scene.

Eskesen was not the first company to attempt floating pens. Other styles had been created over the years. But inventors had been plagued by the problem of leaking mineral oil. In 1946, Peder Eskesen, a Danish baker, developed a method of effectively sealing the oil-filled tubes, launching him quickly in front of his competitors. Eskesen has continued on to become the leader in float pen technology, and the company’s sealing process is still a carefully-guarded secret.

Early Eskesen pens often held 3-dimensional floating objects, such as the mermaid pen (below). There were many mechanical pencils made, and many of the parts were metal. In the 1960’s, however, it became difficult to find workers willing to hand paint the 3-D floating objects, and the metal parts became too expensive to be profitable.

Eskesen’s first pen order was for Esso (now Exxon) and contained a bobbing oil drum. Soon the company was marketing the pens worldwide.